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“But hypochondria is a plotless story, a deviation from the regular progression of an illness from stage to stage. Without a firm diagnosis for my unreliable symptoms, I am stuck in the first scene of the drama, endlessly looping around the first few lines of dialogue. The compulsion to narrativize this experience is always there, but always thwarted. The comfortable point at which to tell the story never arrives, because everything is always in present tense. No narrative structure can help those who never get to turn the page on the opening line.” — Caroline Crampton
But hypochondria is a plotless story, a deviation from the regular progression of an illness from stage to stage. Without a firm diagnosis for my unreliable symptoms, I am stuck in the first scene of the drama, endlessly looping around the first few lines of dialogue. The compulsion to narrativize this experience is always there, but always thwarted. The comfortable point at which to tell the story never arrives, because everything is always in present tense. No narrative structure can help those who never get to turn the page on the opening line.