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Quote by Jostein Gaarder

Work

The Castle in the Pyrenees

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Author

Jostein Gaarder
Jostein Gaarder

Jostein Gaarder is a Norwegian author known for his fantasy literature. His most famous work is 'Sophie's World', a philosophical novel that combines literary and philosophical elements, telling the story of a girl named Sophie's dialogue with a philosopher. Gaarder's works often explore profound philosophical and religious issues, enjoying great popularity among readers. more

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“I don’t hesitate to say that damage or destruction of the land-community is morally wrong, just as Leopold did not hesitate to say so when he was composing his essay, “The Land Ethic,” in 1947. But I do not believe, as I think Leopold did not, that morality, even religious morality, is an adequate motive for good care of the land-community. The primary motive for good care and good use is always going to be affection, because affection involves us entirely. And here Leopold himself set the example. In 1935 he bought an exhausted Wisconsin farm and, with his family, began its restoration. To do this was morally right, of course, but the motive was affection. Leopold was an ecologist. He felt, we may be sure, an informed sorrow for the place in its ruin. He imagined it as it had been, as it was, and as it might be. And a profound, delighted affection radiates from every sentence he wrote about it.”

AffectionLeopoldLand Ethic
Book:It All Turns on Affection: The Jefferson Lecture and Other Essays
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“Theme It's a sunny weekday in early May and after a ham sandwich and a cold bottle of beer on the brick terrace, I am consumed by the wish to add something to one of the ancient themes– youth dancing with his eyes closed, for example, in the shadows of corruption and death, or the rise and fall of illustrious men strapped to the turning wheel of mischance and disaster. There is a slight breeze, just enough to bend the yellow tulips on their stems, but that hardly helps me echo the longing for immortality despite the roaring juggernaut of time, or the painful motif of Nature's cyclial return versus man's blind rush to the grave. I could loosen my shirt and lie down in the soft grass, sweet now after its first cutting, but that would not produce a record of the pursuit of the moth of eternal beauty or the despondency that attends the eventual dribble of the once gurgling fountain of creativity. So, as far as great topics go, that seems to leave only the fall from exuberant maturity into sudden, headlong decline– a subject that fills me with silence and leaves me with no choice but to spend the rest of the day sniffing the jasmine vine and surrendering to the ivory goverance of the piano by picking out with my index finger the melody notes of "Easy to Love," a song in which Cole Porter expresses, with put-on nonchalance, the hopelessness of a love brimming with desire and a hunger for affection, but met only and always with frosty disregard.”

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Book:The Trouble With Poetry - And Other Poems
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“He'd seen a different side of her today, he realized with pleasure, recalling the sight of her standing on the bow of the Orpheus, holding on to the shrouds with the wind in her face and a look of pure delight in her eyes. She'd been a vision with those skirts flapping wildly around her legs, so different from his long-standing perception of her. And when they rounded the point, something had awakened inside him. An emotion he'd not felt in a very long time- a deep, genuine affection that reached beyond the surface thrill of the conquest.”

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Book:Surrender to a Scoundrel
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