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“[Opening Lines] It’s quiet here. But then again, it’s supposed to be quiet. Cemeteries, even those in the heart of a city, tend to be full of silence. The sounds of the neighborhood – barking dogs, laughing children, even the traffic on the adjacent streets – are swallowed up by the silence of the graveyard. The walls around the perimeter of the cemetery – imposing redbrick walls six feet high and adorned with a black iron fence – have something to do with it, I suppose. I’m a historian, not an acoustical engineer.” — Alex Diaz-Granados
[Opening Lines] It’s quiet here. But then again, it’s supposed to be quiet. Cemeteries, even those in the heart of a city, tend to be full of silence. The sounds of the neighborhood – barking dogs, laughing children, even the traffic on the adjacent streets – are swallowed up by the silence of the graveyard. The walls around the perimeter of the cemetery – imposing redbrick walls six feet high and adorned with a black iron fence – have something to do with it, I suppose. I’m a historian, not an acoustical engineer.