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“There is no point, to be sure, in pretending that all the contradictions among different sources in biblical texts can be happily harmonized by the perception of some artful design. It seems reasonable enough, however, to suggest that we may still not fully understand what would have been perceived as a real contradiction by an intelligent Hebrew writer of the early Iron Age, so that apparently conflicting versions of the same event set side by side, far from troubling their original audience, may have sometimes been perfectly justified in a kind of logic we no longer apprehend.”

Quote by Robert Alter

Book:The Art of Biblical Narrative
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The Art of Biblical Narrative

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Robert Alter

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“Later on, however, I actually did read an unabridged Bible and researched more verses using online topical Bible resources, only to find out that Stanton might have been right. The Bible definitely left room for the relegation of women’s status in all respects. Women appeared to have been held accountable for every sinful act that’s committed because of a single woman who lived in the Garden of Eden, hence appearing to make them required to be silent in church. Women were supposed to be mothers and wives, which are noble pursuits, but it appeared as if men had a wider range of opportunities: they could be fathers and husbands… along with apostles, pastors, political leaders, polyglots, AND leaders of municipal congregations! The pursuits other than being a father and husband were considered to be noble pursuits for men, but if a woman pursued any of that, even if she had the capabilities and the good intentions, it would be considered blasphemous, at least from what I understood”

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Book:Feminism and Biblical Hermeneutics
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“The prevailing emphasis of the [Biblical] narratives, in any case, does move away from mythology. What is crucial for the literary understanding of the Bible is that this impulse to shape a different kind of narrative in prose had powerfully constructive consequences in the new medium that the ancient Hebrew writers fashioned for their monotheistic purposes. Prose narration, affording writers a remarkable range and flexibility in the means of presentation, could be utilized to liberate fictional personages from the fixed choreography of timeless events and thus could transform storytelling from ritual rehearsal to the delineation of the wayward paths of human freedom, the quirks and contradictions of men and women seen as moral agents and complex centers of motive and feeling….Because it is a literature that breaks away from the old cosmic hierarchies, the Bible switches from a reliance on metaphor … toward the indeterminacy, the shifting causal concatenations, the ambiguities of fiction made to resemble the uncertainties of life in history. And for that movement, I would add, the suppleness of prose as a narrative medium was indispensable.”

BibleRobert AlterBiblical Narrative
Book:The Art of Biblical Narrative
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“Since art does not develop in a vacuum, these literary techniques must be associated with the conception of human nature implicit in biblical monotheism ....: every person is created by an all-seeing God but abandoned to his or her own unfathomable freedom, made in God’s likeness as a matter of cosmogonic principle but almost never as a matter of accomplished ethical fact; and each individual instance of this bundle of paradoxes, encompassing the zenith and the nadir of the created world, requires a special cunning attentiveness in literary representation.”

BibleRobert AlterBiblical Narrative
Book:The Art of Biblical Narrative
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“The monotheistic revolution of biblical Israel was a continuing and disquieting one. It left little margin for neat and confident views about God, the created world, history, and man as political animal or moral agent, for it repeatedly had to make sense of the intersection of incompatibles—the relative and the absolute, human imperfection and divine perfection, the brawling chaos of historical experience and God’s promise to fulfill a design in history. The biblical outlook is informed, I think, by a sense of stubborn contradiction, of a profound and ineradicable untidiness in the nature of things, and it is toward the compression of such a sense of moral and historical reality that the composite artistry of the Bible is directed.”

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Book:The Art of Biblical Narrative
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