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“I find myself in a dark hallway. At the end of the hall is a door, slightly open with white light spilling around its edges. The hall is full of galoshes and rain coats. I walk slowly and silently to the door and carefully look in to the next room. Morning light fills up the room and is painful at first, but as my eyes adjust I see that in the room is a plain wooden table next to a window. A woman sits at the table facing the window. A teacup sits at her elbow. Outside is the lake, the waves rush up the shore and recede with calming repetition which becomes like stillness after a few minutes. The woman is extremely still. Something about her is familiar. She is an old woman; her hair is perfectly white and lies long on her back in a thin stream, over a slight dowager's hump. She wears a sweater the colour of coral. The curve of her shoulders, the stiffness in her posture says her is someone who is very tired, and I am very tired, myself. I shift my weight from one foot to the other and the floor creaks; the woman turns and sees me and her face is remade in to joy. I am suddenly amazed; this is Clare, Clare old! and she is coming to me, so slowly, and I take her in to my arms.” — Audrey Niffenegger