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Quote by Fyodor Dostoyevsky

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Notes from Underground, White Nights, The Dream of a Ridiculous Man, and Selections from The House of the Dead

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Fyodor Dostoyevsky

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“I never react to events in the outside world; I always react to the sensations in my own body. (...) Even when we think we react to what another person has done, to President Trump's latest tweet, or to a distant childhood memory, the truth is we always react to our immediate bodily sensations. If we are outraged that somebody insulted our nation or our god, what makes the insult unbearable is the burning sensations in the pit of our stomach and the band of pain that grips our heart. Our nation feels nothing, but our body really hurts.”

BodyPainScienceSensationsOutrageHarari
Book:21 Lessons for the 21st Century
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“Once as a child, Phoebe had been caught outside in a summer storm, and had seen a butterfly knocked from the air by raindrops. It had fluttered and fallen to the ground, bombarded from every direction. The only choice had been to fold its wings, take shelter and wait. This man was the storm and the shelter, pulling her into a deep, encompassing darkness where there was too much to feel- hot soft firm sweet hungry rough silken tugging. She strained helplessly in his arms, although she didn't know whether she was trying to escape or press closer. She had craved this, the hardness and heat of his body against hers, the sensation familiar and yet not at all familiar. She had feared this, a man with a will and power that matched her own, a man who would desire and possess every last part of her without mercy.”

SensationsPassionate KissPhoebe ClarePhoebe And West
Book:Devil's Daughter
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“I make landscapes out of what I feel. I make holidays of my sensations. I can easily understand women who embroider out of sorrow or who crochet because life exists. My elderly aunt would play solitaire throughout the endless evening. These confessions of what I feel are my solitaire. I don't interpret them like those who read cards to tell the future. I don't probe them, because in solitaire the cards don't have any special significance. I unwind myself like a multicoloured skein, or I make string figures of myself, like those woven on spread fingers and passed from child to child. I only take care that my thumb not miss its loop. Then I turn over my hand and the figure changes. And I start over.”

SensationsStart OverCrochetSolitaireEmbroider
Book:The Book of Disquiet
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“Vane watched her reaction from under heavy lids, watched flaring passion light her eyes. Sparks of pure gold flashed in the hazel depths as he gently kneaded, then sent his fingers gliding over her silken skin. He knew he should kiss her, distract her, from what came next- but the compulsion to witness, to know her reaction as she learned what he would do, as he filled his senses with her, waxed strong.”

SensationsPatience And VaneVane CynsterPatience Debbington
Book:A Rake's Vow
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“She should, of course, feel scandalized, or at the very least, shocked. Yet whenever she allowed herself to recall all that had happened, sweet pleasure washed through her, leaving her skin tingling and her breasts deliciously warm. Her "shock" was exciting, thrilling, an enticing reaction, not one of revulsion. She should feel guilty, yet whatever guilt she possessed was swamped beneath a compulsion to know, to experience, and an intense recollection of how much she'd enjoyed that particular experience. Lips firming, she set a stitch. Curiosity- it was her curse, her bane, the cross she had to bear. She knew it. Unfortunately, knowing didn't quell the impulse. This time, curiosity was prompting her to waltz with a wolf- a dangerous enterprise. For the last two days, she'd watched him, waiting for the pounce she'd convinced herself would come, but he'd behaved like a lamb- a ridiculously strong, impossibly arrogant, not to say masterful lamb, but with a guileless newborn innocence, as if a halo had settled over his burnished locks.”

CuriositySensationsPatience And VanePatience Debbington
Book:A Rake's Vow
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“I do not know what love is I do not know if this is love or what love is or if love's a thing, if it can be worn like an old coat, or felt like harsh fabric on naked flesh, or if it is a sensation, like that first time the brakes of my bike failed while riding downhill or the climax of masturbation, or if love is an invention, and we all manufacture our own versions - some bright, some dull, some marbled, but all with labels and stickers that say: this is love. I do not know what love is or if I can say what I think love is, could be or should be. If we were to ever sit on the marble floor, on one of those dry, electricity free, 45 degree Delhi nights, sharing a drink of Old Monk's and I were to tell you that this is love, slap me for I would either be drunk or a liar. and if i were drunk, I won't be drunk on love or your loving for I don't know what love is or if it can be known. Maybe, one night, after thirty years of searching for what love means, we will sit outside - you and I - amidst the debris of our meanderings, our bent backs resting on the rusted iron railing, our skin pimpled, throats scratched from prayers uttered to absent gods and we would be in love and believe that love is this: love is all the spaces, non-events, the unspoken words and everything in between the first second of these thirty years to this. Love is this.”

LoveFeelingsSensations
Author:Don Mihsill
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“I do not know if this is love or what love is or if love's a thing, if it can be worn like an old coat, or felt like harsh fabric on naked flesh, or if it is a sensation, like that first time the brakes of my bike failed while riding downhill or the climax of masturbation, or if love is an invention, and we all manufacture our own versions - some bright, some dull, some marbled, but all with labels and stickers that say: this is love. I do not know what love is or if I can say what I think love is, could be or should be. If we were to ever sit on the marble floor, on one of those dry, electricity free, 45 degree Delhi nights, sharing a drink of Old Monk's and I were to tell you that this is love, slap me for I would either be drunk or a liar. and if i were drunk, I won't be drunk on love or your loving for I don't know what love is or if it can be known. Maybe, one night, after thirty years of searching for what love means, we will sit outside - you and I - amidst the debris of our meanderings, our bent backs resting on the rusted iron railing, our skin pimpled, throats scratched from prayers uttered to absent gods and we would be in love and believe that love is this: love is all the spaces, non-events, the unspoken words and everything in between the first second of these thirty years to this. Love is this.”

LoveFeelingsSensationsGrowing Love
Author:Don Mihsill
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“The restaurant owner brought them wine, pale and golden and cool. There were just four oysters each, and when they were all gone they turned their attention to the cecinella. After the soft shapeless texture of the oysters these were almost the opposite: hard, crunchy skeletons whose flavor was all on the outside, a crisp bite of garlic and peperone that dissolved to nothing in your mouth. The ricci, or sea urchins, were another taste again, salty and exotic and rich. It was hard to believe that he had once thought they could be an austerity measure. After that they were brought without being asked a dish of baby octopus, cooked with tomatoes and wine mixed with the rich, gamey ink of a squid. For dessert the owner brought them two peaches. Their skins were wrinkled and almost bruised, but the flesh, when James cut into it with his knife, was unspoiled and perfectly ripe, so dark it was almost black. He was about to put a slice into his mouth when Livia stopped him. "Not like that. This is how we eat peaches here." She cut a chunk from the peach into her wine, then held the glass to his lips. He took it, tipping the wine and fruit together into his mouth. It was a delicious, sensual cascade of sensations, the sweet wine and the sweet peach rolling around his mouth before finally, he had to bite it, releasing the fruit's sugary juices. It was like the oyster all over again, a completely undreamt-of experience, and one that he found stirringly sexual, in some strange way that he couldn't have defined.”

SensationsSeafoodOystersPeachesFood And WineItalian CuisineFood CombiningFoodgasm
Book:The Wedding Officer
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