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Quote by Cassandra Clare

“To draw something is to try to capture it FOREVER, if you really love something, you never try to keep it the way it is forever. You have to let it be free to change”

Quote by Cassandra Clare

Book:City of Ashes
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Work

City of Ashes

In this gripping narrative, readers are transported to a desolate urban landscape where remnants of a once-thriving civilization are now overgrown with ash. The story follows a group of individuals navigating this harsh environment, facing the challenges of scarcity, oppression, and the remnants of a world that once was. more

Author

Cassandra Clare
Cassandra Clare

Cassandra Clare is a renowned American author, best known for her young adult fantasy novel series, 'The Mortal Instruments'. Her works blend elements of magic, romance, and adventure, captivating young readers worldwide. more

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“...The efficacy of psychedelics with regard to art has to do with their ability to render language weightless, as fluid and ephemeral as those famous "bubble letters" of the sixties. Psychedelics, I think, disconnect both the signifier and the signified from their purported referents in the phenomenal world - simultaneously bestowing upon us a visceral insight into the cultural mechanics of language, and a terrifying inference of the tumultuous nature that swirls beyond it. In my own experience, it always seemed as if language were a tablecloth positioned neatly upon the table until some celestial busboy suddenly shook it out, fluttering and floating it, and letting it fall back upon the world in not quite the same position as before - thereby giving me a vertiginous glimpse into the abyss that divides the world from our knowing of it. And it is into this abyss that the horror vacui of psychedelic art deploys itself like an incandescent bridge. Because it is one thing to believe, on theoretical evidence, that we live in a prison-house of language. It is quite another to know it, to actually peek into the slippery emptiness as the Bastille explodes around you. Yet psychedelic art takes this apparent occasion for despair and celebrates our escape from linguistic control by flowing out, filling that rippling void with meaningful light, laughter, and a gorgeous profusion.”

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Book:Air Guitar: Essays on Art & Democracy
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“Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul.”

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Book:The Poet
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