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Quote by S. Jae-Jones

“Give up, Elisabeth," Der Erlkönig crooned. "Let go, my dear. Lay down your flute and rest. Stay with me." I closed my eyes. I could no longer feel the instrument between my numb fingers. I was tired, out of breath, and out of ideas. "Yes," he hissed. "Gently, slowly-”

Quote by S. Jae-Jones

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Wintersong

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S. Jae-Jones

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“Light shone through a large crack in the wall of the maze ahead of us. A slim, slender silhouette cast a shadow against the passage floors. Der Erlkönig. I did not marvel then that I knew the shape of his body as well as my own reflection. I watched the Goblin King's shadow play his violin, his right arm moving in a smooth, practiced bowing motion. Käthe tried to pull me away, but I did not go with her. I moved closer to the light, and pressed my face to the crack. I had to look, I had to see. I had to watch him play. The Goblin King's back was turned to me. He wore no fancy coat, no embroidered dressing gown. He was simply dressed in trousers and a fine cambric shirt, so fine I could see the play of muscles in his back. He played with precision and with considerable skill. The Goblin King was not Josef; he did not have my brother's clarity of emotion or my brother's transcendence. But the Goblin King had his own voice, full of passion, longing, and reverence, and it was unexpectedly... vibrant. Alive. I could hear the slight fumblings, the stutters and starts in tempo, the accidental jarring note that marked his playing as human, oh so human. This was a man- a young man?- playing a song he liked on the violin. Playing it until it sounded perfect to his imperfect ears. I had stumbled upon something private, something intimate. My cheeks reddened. "Liesl." My sister's voice sliced through the sound of the Goblin King's playing like a guillotine, stopping the music mid-phrase. He glanced over his shoulder, and our eyes met. His mismatched gaze was unguarded, and I felt both ashamed and emboldened. I had seen him unclothed in his bedchamber, but he was even more naked now. Propriety told me I should look away, but I could not, arrested by the sight of his soul bared to me. We stared at each other through the crack in the wall, unable to move. The air between us changed, like a world before a storm: hushed, quiet, waiting, expectant.”

“What did you think the answer would be, Elisabeth? I toy with you because I can. Because it gives me great pleasure. Because I was bored." An inarticulate scream of rage strangled me. I wanted to destroy something, to spend my anger against the unfairness of everything. I wanted nothing more than to grapple with the Goblin King, to tear him limb to limb, a Maenad against Orpheus. I tightened my hands into fists. "Yes," he murmured. "Go ahead. Hit me. Strike me." The invitation was not just in his words, but his voice. He advanced. "Use your rage against me." We stared at each other, scarcely half a breath between us. This close, I could see that his gray eye was flecked with silver and blue, his green one ringed with amber and gold. Those eyes mocked me, inviting and inciting me into a passion. If I were a smoldering ember, he was the poker, stirring me into flames. I retreated. I was afraid. Afraid to touch him for fear of starting a fire within me. "What," I asked tightly, "do you want from me, mein Herr?" "I already told you what I want," he said. "You, entire." We did not relinquish each other's gaze. Let go, his eyes seemed to say. But I couldn't; if I surrendered to my fury, I wasn't certain what else I would give up. "Why?" My voice was hoarse. "Why what, Elisabeth?" "Why me?" My words were barely audible, but the Goblin King heard them. He had always heard me. "Why you?" Those sharp, pointed teeth glistened. "Who else but you?" Even his words were sharp, each slicing through me like a knife. "You, who have always been my playmate?”

“A monster stands on the far shore of a glowing lake, waiting for the barge bearing his bride to return. He had stood in this very spot before, when he was a man and a king, when he played on his violin the image of a young woman through her music—her thoughts, her passions, her dreams. He had stood in this spot several times before that, greeting each bride as she made that last journey from life to death, but he never played his violin for them.”