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Quote by Ehsan Sehgal

“To perfume one's body or dress is a sober habit; however, perfume one's character is a beautiful and an excellent practice since that enlightens and fragrances one's way of life.”

Quote by Ehsan Sehgal

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Ehsan Sehgal

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“I think a marvelous stunt would be to have your best friend (or the most critical acquaintance) take some candid color snapshots of you from all angles, dressed just as you usually appear at, say, six in the evening. The same hairdo, the same makeup, and if possible the same expression on your face. Be honest! Be sure to have her take the rear views, too. There ought to be some other shots of you wearing your best going-out-to-dinner dress, or your favorite bridge-with-the-girls costume — hat, gloves, bag, and costume jewelry. Everything. Then have that roll of film developed and BLOWN UP. You can’t see much in a tiny snapshot. An eight-by-ten will show you the works — and you probably won’t be very happy with it. Sit down and take a long look at that strange woman. Is she today’s with-it person — elegant, poised, groomed, glowing with health? Or is she a plump copy of Miss 1950? Is she sleek, or bumpy in the wrong places? How is her posture? Does she look better from the front than from the back? Does she stand gracefully? […] Feet together or one slightly in front of the other, is the most graceful stance. […] I always pin my bad notices on my mirror. How about keeping those eight-by-ten candid shots around your dressing room for a while as you dress?”

“If you think the dress is right for you, where are you going to wear it? Does it fit into the kind of life you lead? (If you live in the country, what are you doing with all those town suits and hostess pajamas?) Supposing the dress is all right. If so, what shoes do you wear with it? What hat, gloves? Handbag, jewelry? […] So many women fall in love with a dress, bring it home, and find absolutely nothing that will go with it.”

“Closets should be completely emptied twice a year. […] Then inspect every item in your wardrobe. Things you’re doubtful about are probably wrong. […] Give things away to someone they do compliment, or send them to charity or a thrift shop and resolve not to make the same mistake again. That old saw, 'When in doubt, don’t,' is never so true as when it comes to clothes. Or getting married.”

“On the way to the cake shop I kept stopping to shake the wet leaves off the soles of my brown suede Whistles boots. I bought them at Sue Ryder, the charity shop in Camden Town. [...] I know how to find good clothes in those places. First scan the rails for an awkward colour, anything that jumps out as being a bit ugly, like dirty mustard, salmon pink or olive green with a bit too much brown in it. A print with an unusual combination of colours – dark green and pink, bright orange and ultramarine – is also worth checking out. If the quality of the fabric is good, pull the garment out and check the label. Well-cut clothes can look misshapen on a hanger because they're cut to look good on the body. I'll buy a good piece if it fits, even if it doesn't sometimes. Even if it's not my style or has short sleeves, or I don't like the shape or the buttons. I learn to love it. I never tire of clothes I've bought that I've had to adjust to. It's the compromise, the awkward gap that has to be bridged that makes something, someone, lovable.”

“If a woman can earn money to buy lovely things while she’s young, she should have the privilege. I know a woman who said once, 'I’ve worked all my life. And now that I can afford to buy myself diamonds, my hands are too old.' This woman was only forty-eight or fifty but she had work hands, ugly hands, that were no fit background for the beautiful big diamond she had just bought. The same thing goes for lovely clothes. A woman should have them, if she can earn them, while she’s young, straight, graceful, slim, and can show them off like an angel.”

“That trick shouldn’t be reserved for the movies or stage. I pass it on for any woman to use […]. For a romantic scene by candlelight, let your face and figure — and your expression — play the leading roles. Underdress. Play down the accessories. Leave the startling hat or jewel at home. For a public appearance, on the other hand, when I’m going to be mingling with hundreds of people, I try to give them something stunning to look at. I especially like to give them color.”