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Quote by Kelly Loudenberg

“The compensation question was where they had to deliberate the most. “Probably took three or four hours to just settle on a number,” Tom said. Some of the jurors wanted to give Johnny more, and others wanted to give him less. “Some people felt sorry that she probably wouldn’t have enough to pay him. Others said he probably won’t make her pay it all anyways. So let’s just make it what we think it should be, and not based on pity, right? We settled in the middle.” In terms of the one defamatory Adam Waldman statement awarded to Amber, in which he called her abuse allegations a “hoax,” Tom said they understood it was a contradictory verdict. “We talked about that a lot. We looked at the time that he made those statements versus after the fact knowing everything.” Tom said they thought Adam making those statements at that time, without true knowledge or evidence of a hoax, was defamatory.”

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Kelly Loudenberg

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“He said the jury noted these kinds of contradictions throughout Amber’s case—contradictions that accumulated week after week. They decided her story wasn’t just not believable, it was unbelievable, he said. “There are so many inconsistencies between what she said, what the pictures told and the story that was being prosecuted. There were so many holes in the story, it was hard for us to believe any of it.” The jury was made up of two women and five men. Tom said the women on the jury were tougher on Amber than the men. One male juror, whose name and juror number are unknown, spoke to Good Morning America soon after the verdict. He said Amber’s emotional testimony didn’t add up and they believed her to be the aggressor. “All of us were very uncomfortable . . . she would answer one question and she would be crying and two seconds later she would turn ice cold . . . some of us used the expression ‘crocodile tears.”

“All of that stuff is true. All the other worlds that human beings believe in, via group myths or spiritual visitations or even imaginations if they're vivid enough, they exist. Imagining a world creates it, if it isn't already there. That's the great secret of existence: it's supersensitive to thought. Decisions, wishes, lies—that's all you need to create a new universe. Every human being on this planet spins off thousands between birth and death, although there's something about the way our minds work that keeps us from noticing. In every moment, we're continually moving in multiple dimensions—we think we're sitting still, but we're actually falling from one universe to the next to the next, so fast that it all blends together like . . . like animation. Except there's a lot more than just images flipping past.”

“Dinin esasen ağırlıklı olarak korkuya dayalı olduğunu düşünüyorum. Bu kısmen bilinmeyene duyulan korkudur, kısmen de, tüm dertlerinizde ve sürtüşmelerinizde yanınızda duracak bir ağabeyinizin olduğunu hissetmeniz isteğidir. Korku bütün bunların temelidir; bilinmeyenden duyulan korku, yenilgi korkusu, ölüm korkusu. Korku, zalimliğin anasıdır, o yüzden din ile zalimliğin el ele gitmesi hiç garip değil. Bunun nedeni, bu iki şeyin temelinde korku olması.”

“I stepped somewhat apprehensively into 2020, unaware of what was to happen, of course, thinking little about the newly-emerged coronavirus, but knowing myself to be at a tipping point in my life. I had come so very far over the years, the decades, from my birthplace in the United Kingdom, to Thailand, Japan and then back to Thailand to arrive at an age—how had I clocked up so many turns under the sun?—at which most people ask for nothing more than comfort, security and love, or at least loving kindness. Instead, I was slowly extricating myself, physically and emotionally, from a marriage that had, over the course of more than a decade, slowly, almost imperceptibly, deteriorated from complacency to conflict, from apathy to antagonism, from diversity to divergence as our respective outlooks on life first shifted and then conflicted. Instrumental in exacerbating this had been my decision to travel as and where I could after witnessing my mother’s devastating and terminal descent into dementia. For reasons which even now I cannot recall with any accuracy, the first destination for this reborn, more daring me was Tibet, thus initiating a new love affair, this time with the culture and majesty of the Himalayan swathe, and the awakening within me of a quest for the spiritual. I had, over the years, been a teacher, a lecturer, a consultant and an advisor, but I now wanted to inspire and release my verbal and photographic creativity, to capture the places I visited and the experiences I had in words and images—and if possible to have the wherewithal of sharing them with like-minded people.”