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“But it was "woman plus habitation," and she was a stranger. That is probably the truest and most gothic part; not because of war or because we'd only net with chaperones before marriage; rather because I didn't know her, not really, until I did. She was a stranger because something essential was shielded, released in tiny bursts until it became a flood-a flooded of what I realized I did not know. Afterward, I would mourn her as if she'd died, because something had: someone we had created together” — Carmen Maria Machado
But it was "woman plus habitation," and she was a stranger. That is probably the truest and most gothic part; not because of war or because we'd only net with chaperones before marriage; rather because I didn't know her, not really, until I did. She was a stranger because something essential was shielded, released in tiny bursts until it became a flood-a flooded of what I realized I did not know. Afterward, I would mourn her as if she'd died, because something had: someone we had created together