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Quote by Marshall McLuhan

“In the century of jazz we are likely to overlook the emergence of the waltz as a hot and explosive human expression that broke through the formal feudal barriers of courtly and choral dance styles.”

Quote by Marshall McLuhan

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Marshall McLuhan
Marshall McLuhan

Marshall McLuhan was a renowned Canadian philosopher, communication theorist, and media theorist whose theories had a profound impact on modern media and communication technologies. His famous 'The Medium is the Message' theory, among others, has influenced the fields of advertising, film, television, and the internet. more

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“He considered for a moment, then started to play a piece that was very familiar to Ruth, although she had no idea what it was. It was lilting and wistful, and she could have sung the melody if she had wished. 'Alright?' He raised his eyebrows inquiringly. 'Yes. Exactly.' It was effortless and perfect, and he played it through to the end, closing with the softest and most delicate chords, which hung and faded in the quiet hall like the grains of dust raining through the evening light. Ruth was touched. It was all she had wanted. He did not move until there was complete silence again, then he closed the lid without saying anything, and stood up, shoving back the chair. ... 'What was that piece?' 'A Brahms waltz.' 'Hasn't it got a name?' she wanted it to remember. 'Number fifteen. Opus thirty-nine.' It hadn't sounded like numbers to Ruth.”

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Book:The Beethoven Medal
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“This is my favorite waltz," she told him, moving into his arms. "I know. That's why I requested it." "How did you know?" she asked with an incredulous laugh. "I suppose one of the Bowman sisters told you?" Simon shook his head, while his gloved fingers curved around hers. "On more than one occasion, I saw your face when they played it. You always looked ready to fly out of your chair." Annabelle's lips parted in surprise, and she stared up at him with a wondering gaze. How could he have noticed something so subtle? She had always been so dismissive of him, and yet he had noticed her reaction to a particular piece of music and remembered it. The realization brought the sting of tears to her eyes, and she looked away immediately, fighting to bring the sudden baffling swell of emotion under control.”

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Book:Secrets of a Summer Night
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“It was exciting and slightly embarrassing to feel the floor with her naked toes as he swept her into one luxurious full turn after another. Of course, the sensation of dancing with bare feet wasn't entirely new: She'd waltzed alone in her bedroom more than once, imagining herself in the arms of some unknown suitor. But it felt very different when her partner was a flesh-and-blood man. She relaxed and abandoned herself, following his guidance without effort or thought. Although they'd started slowly, Mr. Severin had quickened their tempo to match the music. The waltz was flowing and swift, each turn making her skirts whirl in eddies of silk and glitter. It was like flying. Her stomach turned light, as if she were on a garden swing, soaring a little too high and coming down in a giddy arc. She hadn't felt so free since she'd been a young girl, running recklessly across the Hampshire Downs with her twin. The world was nothing but moonlight and music as the two of them swept through the empty conservatory with the ease of mist carried on a sea breeze.”

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“The music started, and we began to dance. It was like magic. A ghost can't lead, of course; he can't tell you where to go, with just a bit of pressure on your hand or your back. But I knew, anyway. I knew exactly where to turn, where to move. It was as if he was telling me with his eyes, which were locked on mine. And it was as if I was seeing another time through his eyes, because even though I was still in the Quackadoodle, at the same time I was back in Charleston, a hundred and twenty five years before.”

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Book:The Ghost Wore Gray
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