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Quote by Thea Guanzon

“Talasyn suddenly wanted nothing more than to assure Alaric of her presence. She sank fully against his form, holding him down with her weight, burying her face in the side of his neck in a chaste imitation of what he had done to her once, in another bed. “I’m here,” she vowed into his smooth, overheated skin. “I’m not going anywhere.” A sound between a groan and a hitch of breath caught in his throat. The hand on the small of her back rubbed compulsively, tracing the notches of her spine, and his arm tightened around her. His other hand tangled in her hair. “I couldn’t kill that rebel.” It was a choked, bewildered rumble in her ear. “One word from you and I let my guard down. I couldn’t kill you, either, all those times before … What am I, if I’m not a weapon? What have you done to me?”

Quote by Thea Guanzon

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A Monsoon Rising

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Thea Guanzon

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“You’re not just a weapon,” she mumbled into his neck. “You have a sweet tooth and sometimes you make me laugh. I tell you things that I’ve never told anyone else.” The very air seemed to spin golden with each surge of memory, aether humming between their forms. “You helped me with my magic. You tackled me out of the way of that void bolt. Today you made sure I could run and fight. All of these things—they’re not what a weapon is, or does. You’re so much more than a weapon. You could be more.” She meant every word.”

“Did—were you—” Alaric faltered, each word laboriously plucked out from his stupor. “Did you think that I … would strike you?” Talasyn remained silent a beat too long. Long enough for him to confirm that her answer, though unspoken, was yes. “I wouldn’t—” He hit the floor on his knees and shuffled toward her. She straightened up with the intention of nudging him to do so as well, but he flung his arms around her waist. “Tala, I would never”—he buried his face in her midsection—“never when we’re not sparring,” he said fiercely. “Never when I’m drunk, never in our room—” “I know.” She carded her fingers through his soft hair, in a tentative attempt to soothe him.”

“Gestern, inmitten des zarten Übergangs vom Morgengrauen zur Abenddämmerung, fühlte ich mich verloren zwischen der greifbaren Umarmung der Realität und dem vergänglichen Reich der Träume und Illusionen. Die Freude an der Erinnerung, einst ein geschätzter Trost, entzog sich nun meinem Zugriff, denn es gab keinen Begleiter, mit dem ich diese wertvollen Erinnerungen teilen konnte. Es war, als hätte die Abwesenheit meiner Geliebten diesen gemeinsamen Erlebnissen die Essenz entzogen und sie hohl und distanziert gemacht. Der Verlust eines unverzichtbaren Menschen fügt dem Herzen eine tiefe Wunde zu, die nie vollständig heilt. Sie bleiben für immer in den zerbrochenen Kammern unserer Seele präsent, ihre Essenz ist für immer mit unserer eigenen verbunden. Die einfachen Nuancen unseres gemeinsamen Daseins, einst Quellen der Wärme und des Trostes, dienen heute als eindringliche Echos, die vor Schmerz nachhallen. In der riesigen Fläche, in der sich einst deine Präsenz befand, existiert jetzt eine Leere – eine Leere, die genau nach diesem Bild geformt ist und von keinem anderen gefüllt wird. Ich navigiere ständig durch die Konturen dieser Leere, durchquere tagsüber ihre Tiefen und erliege nachts ihrer allumfassenden Dunkelheit. Es ist eine Kluft, die kunstvoll in die Silhouette deiner Abwesenheit eingraviert ist, eine Leere, die sich allen Versuchen der Schließung widersetzt, denn niemand sonst kann jemals den Raum einnehmen, den du einst in meinem Herzen gehalten hast.”

“The men repeatedly request that she play Elgar’s “Nimrod” even though it appears to affect them powerfully. She finds it hard to watch them fight to maintain their composure as the kettledrums roll and the score ascends to its heights. It must cause them something close to agony. Perhaps, she thinks, that is what they require: something that allows them to follow their pain as it rises, in its most beautifully orchestrated form— one that insists on the inevitability of whatever will come, and then releases them, gently, with that knowledge. It is not comfort it gives them, she realizes, but acceptance; not an anaesthetizing of sorrow, but a clear articulation of it,”