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“Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.” — Oswald Spengler

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Added to all this is the universal dread of reality. We "pale-faces" have it, all of us, although we are seldom, and most of us never, conscious of it. It is the spiritual weakness of the "Late" man of the higher civilizations, who lives in his cities cut off from the peasant and the soil and thereby from the natural experiencing of destiny, time, and death. He has become too wide awake, too accustomed to ponder perpetually over yesterday and tomorrow, and cannot bear that which he sees and is forced to see: the relentless course of things, senseless chance, and real history striding pitilessly through the centuries into which the individual with his tiny scrap of private life is irrevocably born at the appointed place. That is what he longs to forget, refute, or contest. He takes flight from history into solitude, into imaginary far-away systems, into some faith or another, or into suicide. Like a grotesque ostrich he buries his head in hopes, ideals, and cowardly optimism: it is so, but it ought not to be, therefore it is otherwise. We sing in the woods at night because we are afraid.
— Oswald Spengler