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Quote by Noeul Nuttarat Tangwai

“Producing a series-regardless of the genre, including BL-is a form of art. It's a way of telling stories about human relationships. This process requires professionalism, mutual respect, and genuine commitment from everyone on set to create a quality piece that can truly touch the audience's hearts.”

Quote by Noeul Nuttarat Tangwai

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Noeul Nuttarat Tangwai

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“Some may view BL series as just another genre that tells the love story between two people, but there are still those who are not open-minded and don't fully accept the idea of sexual diversity. Honestly, I wish they would give it a chance because it's quite fun! Nowadays, BL series come in a variety of styles. There are grand productions, stories that cross borders and time, period dramas, etc. The genre has expanded significantly and has become one of Thailand's soft powers.”

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Author:Noeul Nuttarat Tangwai
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“Writing a good song is not mimicry, replication, or pastiche; it is the opposite. It is an act of self-murder that destroys all one has strived to produce in the past. It is those dangerous, heart-stopping departures that catapult the artist beyond the limits of what they recognize as their known self. This is part of the authentic creative struggle that precedes the invention of a unique lyric of actual value; it is the breathless confrontation with one’s vulnerability, peril, and smallness, pitted against a sense of sudden, shocking discovery. It is the redemptive artistic act that stirs the heart of the listener, where the listener recognizes their own blood, struggle, and suffering in the inner workings of the song.”

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Book:More Than Words: How to Think About Writing in the Age of AI
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“The ambitious artist, the artist who wanted Success, now had to do a bit of psychological double-tracking. Consciously he had to dedicate himself to the antibourgeois values of the cenacles of whatever sort, to bohemia, to the Bloomsbury life, the Left Bank life, the Lower Broadway Loft life, to the sacred squalor of it all... Not only that, he had to dedicate himself to the quirky god Avant-Garde. He had to keep one devout eye peeled for the new edge on the blade of the wedge of the head on the latest pick thrust of the newest exploratory probe of this fall's avant-garde Breakthrough of the Century ... all this in order to make it, to be noticed, to be counted, within the community of artists themselves. What is more, he had to be sincere about it. At the same time he had to keep his other eye cocked to see if anyone in le monde was watching. Have they noticed me yet? Have they even noticed the new style (that me and my friends are working in) Don't they even know about Tensionism (or Slice Art or Niho or Innerism or Dimensional Creamo or whatever)? (Hello, out there!) ... because as every artist knew in his heart of hearts, no matter how many times he tried to close his eyes and pretend otherwise (History! History!-where is thy salve?), Success was real only when it was success within le monde. He could close his eyes and try to believe that all that mattered was that he knew his work was great ... and that other artists respected it ... and that History would surely record his achievements ... but deep down he knew he was lying to himself. I want to be a Name, goddamn it!”

ArtCriticism
Book:The Painted Word
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