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The Inner Game of Tennis: The classic guide to the mental side of peak performance

This book delves into the psychological elements of tennis, providing insights and techniques to enhance mental focus and strategic thinking on the court. more

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W. Timothy Gallwey

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“2D animation design has gained immense popularity since when it was first introduced. Today it’s primarily deployed in 2D animation studios for creating advertisements, marketing videos, animated movies or cartoons, corporate presentations, and video games. Besides being adorable, 2D animations tend to capture audiences through their auditory, visual, and kinesthetic aspects. Information communicated to the viewers in a visual format is perceived far better since it stimulates different brain regions while simultaneously engaging multiple senses to enable the user to comprehend data more effectively. This deeper level of engagement also triggers the urge in users to share what they find attractive, thus, accounting for more prospects.”

“You Have Done Your Best A token of appreciation for an amazing Mother I remember our expectations of you We knew you would take care of us Yet we forgot you had your needs too We never thought in our little minds You could be sad sometimes Or be happy at other times You were good at hiding your emotions Because you were always in motion Making sure we had provision Oh, Mother, yours was a great vision To you, we were the priority You wanted to see us prosper To date, we still wonder How one could be so selfless That about her own life, she cared less Through you, we were so blessed We sometimes look back and are amazed At how you managed to make things happen We still do not have the answers All we know is that you have done your best!”

“The film critic Roger Ebert once wrote: “I told Miyazaki I love the ‘gratuitous motion’ in his films; instead of every movement being dictated by the story, sometimes people will just sit there for a moment, or they will sigh, or look in a running stream, or do something extra, not to advance the story but only to give the sense of time and place and who they are. ‘We have a word for that in Japanese,’ [Miyazaki] said. ‘It’s called ma. Emptiness. It’s there intentionally.”

“The first spark puts Everything in motion, sufficient that Everything seeks its place unmistakably based on the principle of chance or a program. Evolution makes no difference, whether chance or a program, because Everything will play out according to “plan” and establish order. If we suppose that the whole future development lies in the principle of chance, then this chance must be so perfect that it is irrelevant if the program develops perchance or under the supervision of a higher power. The result would be the same. (The chance offers a bigger chance, for in endless cycles of the Universe and life, the chance always empowers or enables a new world and order.)”