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Quote by Joji

“no one will be here to save you and no will be here to let you know, this is the world”

Quote by Joji

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Joji

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“Now Mrs. Retallack wondered how the effects of what she called "intellectual mathematically sophisticated music of both East and West" would appeal to plants. As program director for the American Guild of Organists, she chose choral preludes from Johann Sebastian Bach's Orgelbuchlein and the classical strains of the sitar, a less-com­ plicated Hindustani version of the south Indian veena, played by Ravi Shankar, the Bengali Brahmin. The plants gave positive evidence of liking Bach, since they leaned an unprecedented thirty-five degrees toward the preludes. But even this affirmation was far exceeded by their reaction to Shankar: in their straining to reach the source of the classical Indian music they bent more than halfway to the horizontal, at angles in excess of sixty degrees, the nearest one almost embracing the speaker. In order not to be swayed by her own special taste for the classical music of both hemispheres Mrs. Retallack, at the behest of hundreds of young people, followed Bach and Shankar with trials of folk and "country-western" music. Her plants seemed to produce no more reac­tion than those in the silent chamber. Perplexed, Mrs. Retallack could only ask: "Were the plants in complete harmony with this kind of earthy music or didn't they care one way or the other?" Jazz caused her a real surprise. When her plants heard recordings as varied as Duke Ellington's "Soul Call" and two discs by Louis Arm­ strong, 5 5 percent of the plants leaned fifteen to twenty degrees toward the speaker, and growth was more abundant than in the silent chamber. Mrs. Retallack also determined that these different musical styles markedly affected the evaporation rate of distilled water inside the chambers. From full beakers, fourteen to seventeen milliliters evapo­rated over a given time period in the silent chambers, twenty to twenty­ five milliliters vaporized under the influence of Bach, Shankar, and jazz; but, with rock, the disappearance was fifty-five to fifty-nine milliliters.”

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Book:The Secret Life of Plants: A Fascinating Account of the Physical, Emotional and Spiritual Relations Between Plants and Man
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“Stoned Soup by Stewart Stafford Keith Richards talks Brendan Behan, Making soup, wrapped in a blanket, While in a kitchen in County Cork, Mick Jagger listens and laughs loudly. Discussing the previous night’s gig, Mick says the crowd was wonderful, Keith agrees and says so was Charlie, Keith’s lip cigarette jigs to each word. Through choking plumes of smoke, The soup is ready, Mick tries some, His notable lips curl downwards fast, He humours Keith and says it’s great. © Stewart Stafford, 2022. All rights reserved.”

DreamMusicSoupSurrealRolling StonesKeith RichardsMick JaggerThe Rolling StonesBrendan BehanThe Stones
Author:Stewart Stafford
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“Music is so archaic. Why do we still listen to songs through our ears? Why can't music come in liquid format, and be mixed in with my morning coffee that I love to drink when I first wake up at 3:33 PM? Also consider the ducks. Wouldn't they love to swim in music?”

SongMusicCoffeeAbsurdDucksSurrealDuckDuck QuoteDuck Quotes
Book:Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.
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“I make music for whales, dolphins, ducks, and deaf people. Using only sign language and silence, my songs are meant to swim in your ears using the same power that allows the moon to create the tides.”

MusicAbsurdDucksSurrealDuckDuck QuoteDuck QuotesWhaleDolphin
Book:Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.
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