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“Miserabilism leads to a mixture of indifference towards the past and hatred of it. This hatred is visible in the architecture and urban planning of Europe since the war. [...] This mania for destruction, often carried out in lesser degrees by the strategic placement of a terrible building that the eye cannot escape (the Tour Montparnasse in Paris is a particularly fine example of the genre), is a symptom of an impotent rage that Europe has been left behind, is not longer in the vanguard of anything. It is also a kind of magical thinking: that by adopting the externals of modernity somehow modernity itself will be achieved and mastered.” — Theodore Dalrymple
Miserabilism leads to a mixture of indifference towards the past and hatred of it. This hatred is visible in the architecture and urban planning of Europe since the war. [...] This mania for destruction, often carried out in lesser degrees by the strategic placement of a terrible building that the eye cannot escape (the Tour Montparnasse in Paris is a particularly fine example of the genre), is a symptom of an impotent rage that Europe has been left behind, is not longer in the vanguard of anything. It is also a kind of magical thinking: that by adopting the externals of modernity somehow modernity itself will be achieved and mastered.