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Quote by Carolyn Leiloglou

“Art expresses beauty and truth," Georgia said. "It's a gift. It's meant to be experienced and interacted with not used. That's what's so gross about what the Distortionists do. They use art instead of making it or even enjoying it. They turn art into propaganda.”

Quote by Carolyn Leiloglou

Book:Beneath the Swirling Sky
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Beneath the Swirling Sky

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Carolyn Leiloglou

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“Making art provides uncomfortably accurate feedback about the gap that inevitably exists between what you intended to do, and what you did. In fact, if artmaking did not tell you (the maker) so enormously about yourself, then making art that matters to you would be impossible. To all viewers but yourself, what matter is the product: the experience of shaping that artwork. The viewers' concerns are not your concerns (although it's dangerously easy to adopt their attitudes.) Their job is whatever it is: to be moved by art, to be entertained by it, to make a killing off it, whatever. Your job is to learn to work on your work.”

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“Even the separation of art from craft is largely a post-Renaissance concept, and more recent still is the notion that art transcends what you do, and represents what you are. In the past few centuries Western art has moved from unsigned tableaus of orthodox religious scenes to one-person displays of personal cosmologies. “Artist” has gradually become a form of identity which (as every artist knows) often carries with it as many drawbacks as benefits. Consider that if artist equals self, then when (inevitably) you make flawed art, you are a flawed person, and when (worse yet) you make no art, you are no person at all! It seems far healthier to sidestep that vicious spiral by accepting many paths to successful artmaking — from reclusive to flamboyant, intuitive to intellectual, folk art to fine art. One of those paths is yours. David Bayles. Art & Fear- Observations on the Perils (and Rewards) of Artmaking (pp. 12-13). (Function). Kindle Edition.”

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Book:Art and Fear
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“Even the separation of art from craft is largely a post-Renaissance concept, and more recent still is the notion that art transcends what you do, and represents what you are. In the past few centuries Western art has moved from unsigned tableaus of orthodox religious scenes to one-person displays of personal cosmologies. “Artist” has gradually become a form of identity which (as every artist knows) often carries with it as many drawbacks as benefits. Consider that if artist equals self, then when (inevitably) you make flawed art, you are a flawed person, and when (worse yet) you make no art, you are no person at all! It seems far healthier to sidestep that vicious spiral by accepting many paths to successful artmaking — from reclusive to flamboyant, intuitive to intellectual, folk art to fine art. One of those paths is yours.”

ArtArtistCreative Process
Book:Art and Fear
Create image