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The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession

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Michael Finkel

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“For over a century, an evolving microcosm of Anthropology’s turbulent history has hidden behind the staid façade of the American Museum of Natural History. From an insider’s perspective, the well-known ethnologist Stan Freed engagingly introduces us to an amazing cast of explorers, eccentrics, idealists, pranksters and forbidding intellectual - an unlikely mix that played a key role in establishing the science of Anthropology as we know it today.”

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“Survival is a funny business, too. A losing game. Literally. They love us, and we lose them all. The ones who made us, the ones who gave us, the ones who sat down and played with us, the ones who held us, or just laid eyes on us. The ones who bought, traded, and sold us. Cleaned us, redeemed us, brought back the sheen on us. Loved us. Learned everything there is to know about us.”

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“When a young employee at the Anne Fank House tried to wear his yarmulke to work, his employers told him to hide it under a baseball cap. The museum's gal was "neutrality," one spokesperson explained to the British newspaper Daily Mail, and a live Jew in a yarmulke might "interfere" with the museum's "independent position." The museum finally relented after deliberated for four months, which seems like a rather long time for the Anne Frank House to ponder whether it was a good idea to force a Jew into hiding.”

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“Protecting a museum can feel paradoxical, because its mission isn't to conceal valuables but to SHARE, in a way that makes you feel as close to a piece as possible, unencumbered by any security apparatus. Permanently ending nearly all museum crime would be easy: lock the works in vaults, and hire armed guards. Of course, this would also mean the end of museums. They'd now be called banks.”

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Book:The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession
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“You don’t know they’ll be white. Maybe the Cloisters is full of Black people, and you’re the right person to knock on the door.” I could hear a cross laugh in Keller’s quiet voice. “I’m pretty sure that the people who set up shop in a castle are going to be white. Museums: last refuge of the ruling class.”

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Book:All the Water in the World
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