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Quote by Slavoj Žižek

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Slavoj Žižek

A Slovenian philosopher and an influential figure in contemporary Western philosophy. Born on March 21, 1949, Slavoj Žižek is known for his unique Marxist perspective and profound analysis of culture, politics, and film. more

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“En la vida no todo es seguridad. Es ser capaces de recoger los pedazos después de que todo haya pasado y continuar adelante. Podemos elegir el ser unos cobardes que temer dejar a alguien entrar en nuestro interior y hacerlo todo solos o podemos elegir el ser valientes y dejar que alguien esté a nuestro lado y nos ayude. Yo no soy una cobarde. Nunca lo he sido. Y no tengo ninguna intención de irme a otro lugar que no sea el que está a tu lado. Para siempre. Ya sea en la Tierra o en este infierno si es lo que se necesita. Yo siempre estaré contigo. En ese momento, Seth se dio cuenta de que no necesitaba la golondrina para evadirse del dolor. Todo lo que necesitaba era a ella. Y además tenía razón. Se necesitaba mucho más valor para dejar el corazón abierto a otra persona que el mantenerlo cerrado. Dejar que alguien se metiera muy dentro de ti donde sólo ellos pudieran herirte. Sólo Lydia podría destruirle. Y, sin embargo, sólo le había dado una vida... al menos una que merecía la pena vivir.”

SethThe GuardianLydiaSherrilyn Kenyon
Book:The Guardian
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“I don't know how you hear music. I imagine that if you like music at all then it has, in your head, some kind of third dimension to it, a dimension suggesting space as well as surface, depth of field as well as texture. Speaking for myself, I used to hear "buildings"... three-dimensional forms of architectural substance and tension. I did not "see" these buildings in the classic synaesthetic way so much as sense them. These forms had "floors", "walls", "roofs", "windows", "cellars". They expressed volume. Music to me has always been a handsome three-dimensional container, a vessel, as real in its way as a Scout hut or a cathedral or a ship, with an inside and an outside and subdivided internal spaces. I'm absolutely certain that this "architecture" had everything to do with why music has always exerted such a hold over me. I think music was the structure in which I learned to contain and then examine emotion.”

MusicThe GuardianOliver SacksMusicophilia
Author:Nick Coleman
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