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“A society like the Italian, the very disorder of which renders the action of the State useless and ridiculous, is not without its charm and helps us to grasp this political truth: the principal task of the State today is to justify its own existence. To do so, it has to annihilate society's capacity to survive by itself. Surreptitiously undermining all forms of spontaneous regulation, deregulating, desocializing, breaking down the traditional mechanisms of bodies and antibodies, in order to substitute its artificial mechanisms - such is the strategy of a State locked in a subtle struggle with society - exactly like medicine, which lives off the destruction of natural defences and their replacement by artificial ones. In Rome, Niccolini manages to counter the obsessive fear of terrorism with a cultural revival. To the Romans who no longer dare go out in the evenings he offers festivals, performances, poetry galas. He brings culture down into the street. He combats the terrorist festival with the cultural, advertising festival. He will be criticized for wasteful expenditure, but the only way to fight terrorism is not to create 'solid' institutions, but to put upon the stage a culture that is as sacrificial, eccentric, and ephemeral as the terrorist acts themselves. One festival against the other. If terrorism is a sort of murderous advertising campaign which keeps our imagination on tenterhooks, it can be countered only by a piece of even more effective advertising.” — Jean Baudrillard