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Quote by Tom Wolfe

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The electric kool-aid acid test

This book chronicles the adventures of Ken Kesey and his group of followers, the Merry Pranksters, as they travel across the United States in a brightly painted bus. The narrative focuses on their use of psychedelic drugs, particularly LSD, and their efforts to challenge conventional social norms. The story is framed around the 'Acid Tests,' a series of public events involving music, light shows, and drug use that helped define the emerging hippie movement. The book is known for its immersive, experimental writing style that mirrors the chaotic and transformative experiences of its subjects. more

Author

Tom Wolfe
Tom Wolfe

Tom Wolfe, an American author born on March 2, 1931, is renowned for his unique writing style and insightful observations of American society and culture. His works often focus on the changes in American society and culture, with a distinctive narrative approach and rich details that depict the diversity and complexity of American society. His notable works include 'The Electric Kool-Aid Acid Test' and 'The Right Stuff'. more

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“We were surprised, shocked really, to discover the type of leadership required for turning a good company into a great one. Compared to high-profile leaders with big personalities who make headlines and become celebrities, the good-to-great leaders seem to have come from Mars. Self-effacing, quiet, reserved, even shy—these leaders are a paradoxical blend of personal humility and professional will. They are more like Lincoln and Socrates than Patton or Caesar.”

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“Lutch Crawford always talked straight to the point. That’s how he got so much work done. “Fawn, about the other night, with all that moon. How do you feel now?” “I feel the same way,” she said tightly. Lutch had a little habit of catching his lower lip with his teeth and letting go when he was thinking was hard. There was a pause about long enough to do this. Then he said, “You been hearing rumors about you and me?” “Well I—” She caught her breath. “Oh, Lutch—” I heard the wicker, sharp and crisp, as she came up out of it. “Hold on!” Lutch snapped. “There’s nothing to it, Fawn. Forget it.” I heard the wicker again, slow, the front part, the back part. She didn’t say anything. “There’s some things too big for one or two people to fool with, honey,” he said gently. “This band’s one of ’em. For whatever it’s worth, it’s bigger than you and me. It’s going good and it’ll go better. It’s about as perfect as a group can get. It’s a unit. Tight. So tight that one wrong move’ll blow out all its seams. You and me, now—that’d be a wrong move.” “How do you know? What do you mean?” “Call it a hunch. Mostly, I know that things have been swell up to now, and I know that you—we—anyway, we can’t risk a change in the good old status quo.” “But—what about me?” she wailed. “Tough on you?” I’d known Lutch a long time, and this was the first time his voice didn’t come full and easy. “Fawn, there’s fourteen cats in this aggregation and they all feel the same way about you as you do about me. You have no monopoly. Things are tough all over. Think of that next time you feel spring fever coming on.” I think he bit at his lower lip again. In a soft voice like Skid’s guitar with the bass stop, he said, “I’m sorry, kid.” “Don’t call me kid!” she blazed. “You better go practice your scales,” he said thickly. The door slammed. After a bit he let me out. He went and sat by the window, looking out. “Now what did you do that for?” I wanted to know. “For the unit,” he said, still looking out the window. “You’re crazy. Don’t you want her?” What I could see of his face answered that question. I don’t think I’d realized before how much he wanted her. I don’t think I’d thought about it. He said, “I don’t want her so badly I’d commit murder for an even chance at her. You do. If anyone wants her worse than I do, I don’t want her enough. That’s the way I see it.”

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Book:The Complete Stories of Theodore Sturgeon, Volume V: The Perfect Host
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