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Screenwriting 101 by Film Crit Hulk!

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FILM CRIT HULK

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“He had read lots of stories where heroes succeeded in spite of long odds, where they accomplished a task that everyone else had failed at. He wondered for the first time about all the people who'd gone before those heroes, about whether they'd been heroic too or whether they'd been at each other's throats, before everything had gone wrong. He wondered if there was a point where they realized they weren't going to make it, weren't going to beat those long odds -- that in the legend that would follow, they were going to be the nameless people that failed.”

“Zorro also is part of the bandido tradition, most closely associated with the possibly mythical Joaquin Murrieta and the historical Tiburcio Vasquez. As well as these local California legendary figures, Zorro is an American version of Robin Hood and similar heroes whose stories blend fiction and history, thus moving Zorro into the timeless realm of legend. The original story takes place in the Romantic era, but, more important, Zorro as Diego adds an element of poetry and sensuality, and as Zorro the element of sexuality, to the traditional Western hero. Not all Western heroes are, as D. H. Lawrence said of Cooper's Deerslayer, "hard, isolate, stoic, and a killer," but in the Western genre the hero and villain more often than not share these characteristics. What distinguishes Zorro is a gallantry, a code of ethics, a romantic sensibility, and most significant, a command of language and a keen intelligence and wit.”

“After September 11th, I never much liked the trend of everyone and his brother wearing the hats and jackets of the NYPD and FDNY. Only the people who do the job should get to wear the hat. Would you wear someone else's Medal of Honor? Yes, it's a tribute, and sincere tribute is always appropriate for these brave people. But wearing their symbols is also rubbing off a piece of heroism that isn't yours.”