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Between Them: Naughty Spicy Forbidden night with my Brothers two Best Friends

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Viola Wilde

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“To encapsulate the notion of Mardi Gras as nothing more than a big drunk is to take the simple and stupid way out, and I, for one, am getting tired of staying stuck on simple and stupid. Mardi Gras is not a parade. Mardi Gras is not girls flashing on French Quarter balconies. Mardi Gras is not an alcoholic binge. Mardi Gras is bars and restaurants changing out all the CD's in their jukeboxes to Professor Longhair and the Neville Brothers, and it is annual front-porch crawfish boils hours before the parades so your stomach and attitude reach a state of grace, and it is returning to the same street corner, year after year, and standing next to the same people, year after year--people whose names you may or may not even know but you've watched their kids grow up in this public tableau and when they're not there, you wonder: Where are those guys this year? It is dressing your dog in a stupid costume and cheering when the marching bands go crazy and clapping and saluting the military bands when they crisply snap to. Now that part, more than ever. It's mad piano professors converging on our city from all over the world and banging the 88's until dawn and laughing at the hairy-shouldered men in dresses too tight and stalking the Indians under Claiborne overpass and thrilling the years you find them and lamenting the years you don't and promising yourself you will next year. It's wearing frightful color combination in public and rolling your eyes at the guy in your office who--like clockwork, year after year--denies that he got the baby in the king cake and now someone else has to pony up the ten bucks for the next one. Mardi Gras is the love of life. It is the harmonic convergence of our food, our music, our creativity, our eccentricity, our neighborhoods, and our joy of living. All at once.”

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Book:1 Dead in Attic: Post-Katrina Stories
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“Child, you keep demanding impossible promises from those who cannot even take care of themselves. But what joy have you ever derived from being so dependent and unassured, so needy, lost, and afraid? You keep saying you want to count on somebody— but I say stop counting. You keep telling me you crave security because the world frightens you. But the world, my love, is what you are.”

LoveRelationshipsAddictionAddiction And RecoveryCodependencyLove AddictionSex And Love AddictionAddiction And Recovery QuotesSex And Love Addicts AnonymousSlaa
Book:All the Way to the River
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“The English language is shot through with idioms and expressions which allude to violence without inciting it, most of which pass without notice unless they're called to your attention. One of the most disingenuous moves in the incivility wars is to treat these expressions with a specious literalism; politics makes Freudians of us all. (205)”

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Book:Ascent of the A-Word: Assholism, the First Sixty Years
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“There was no longer any answer to that command in his own will, dismayed by terror though it was, and he felt only the beating upon him of a great power from outside. It took his hand, and as Frodo watched with his mind, not willing it but in suspense (as if he looked on some old story far away), it moved the hand inch by inch towards the chain upon his neck. Then his own will stirred; slowly it forced the hand back, and set it to find another thing, a thing lying hidden near his breast. Cold and hard it seemed as his grip closed on it: the phial of Galadriel, so long treasured, and almost forgotten till that hour. As he touched it, for a while all thought of the Ring was banished from his mind. He sighed and bent his head... 'I wouldn't trust it,' said Sam, 'not till I was dying of thirst. There's a wicked feeling about this place.' He sniffed. 'And a smell, I fancy. Do you notice it? A queer kind of a smell, stuffy. I don't like it.' 'I don't like anything here at all,' said Frodo, 'step or stone, breath or bone. Earth, air and water all seem accursed. But so our path is laid.' 'Yes, that's so,' said Sam. 'And we shouldn't be here at all, if we'd known more about it before we started. But I suppose it's often that way. The brave things in the old tales and songs, Mr. Frodo: adventures, as I used to call them. I used to think that they were things the wonderful folk of the stories went out and looked for, because they wanted them, because they were exciting and life was a bit dull, a kind of a sport, as you might say. But that's not the way of it with the tales that really mattered, or the ones that stay in the mind. Folk seem to have been just landed in them, usually... their paths were laid that way, as you put it. But I expect they had lots of chances, like us, of turning back, only they didn't. And if they had, we shouldn't know, because they'd have been forgotten. We hear about those as just went on... and not all to a good end, mind you; at least not to what folk inside a story and not outside it call a good end. You know, coming home, and finding things all right, though not quite the same... like old Mr Bilbo. But those aren't always the best tales to hear, though they may be the best tales to get landed in! I wonder what sort of a tale we've fallen into?' 'I wonder,' said Frodo. 'But I don't know. And that's the way of a real tale. Take any one that you're fond of. You may know, or guess, what kind of a tale it is, happy-ending or sad-ending, but the people in it don't know. And you don't want them to.' 'No, sir, of course not. Beren now, he never thought he was going to get that Silmaril from the Iron Crown in Thangorodrim, and yet he did, and that was a worse place and a blacker danger than ours. But that's a long tale, of course, and goes on past the happiness and into grief and beyond it... and the Silmaril went on and came to Earendil. And why, sir, I never thought of that before! We've got — you've got some of the light of it in that star-glass that the Lady gave you! Why, to think of it, we're in the same tale still! It's going on. Don't the great tales never end?' 'No, they never end as tales,' said Frodo. 'But the people in them come, and go when their part's ended. Our part will end later... or sooner.' 'And then we can have some rest and some sleep,' said Sam. He laughed grimly.”

StorytellingStoryMeta TextualismTrue Myth
Book:The Two Towers
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