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AkshatThakur

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“Riegl also solved a paradox of academic doctrine, wedded to the ideal: its tendency to summon its own subversion by reality, or by lowly life. Now that the story line is the movement from touch-based art to vision-based art, the future is open-ended, for art can always be further intellectualized without worrying about a surfeit of sublimity or transcendence, just as low subject matter does not threaten to drag art back into the weeds of practical life.”

RealityParadoxIdealismRiegl
Book:A History of Art History
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“It's a truism that we see the past as far more distant than it is in reality: my parents were adults before they could share bathrooms with white people; my grandmother was middle-aged before she could confidently enter a voting booth in Alabama. Yet these images fade easily into gentle sepia tones for me today. That's because it's safety, not wisdom, we're after when we look backward. We picture ugly things at a comfortable distance. But Americans distort the past in other ways, too. We see horrible people as exceptional, and their many accomplices as mere captives of their times. We tell ourselves we would contain such wickedness if it arose today, because now we know better. We've learned. In our illusory past, progress has come in decisive and irrevocable strokes.”

WisdomRealityPastEvilHistoryProgressSafetyDenialAfrican AmericansBlacks
Book:Four Hundred Souls: A Community History of African America, 1619-2019
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“It was the doomed competition with photography that had led painting to lose its ways in the mindless transcription of reality. Admittedly the scorn for realism had been a traditional theme of premodern art theory, often mapped onto onto a geographic distinction. The direct imitation of reality was the northern European weakness, a limitation to be countered by an idealism cultivated in the Mediterranean realm.”

RealityPhotographyImitationIdealism
Book:A History of Art History
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