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A Kingdom of Flesh and Fire

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Jennifer L. Armentrout

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“Kieran?” He looked at me. “Please…please try to be careful,” I said. He lifted his brows. “Are you worried about me?” Crossing my arms, I nodded. “Don’t be nice to me,” he replied, and I sensed amusement from him. “It weirds me out.” “Sorry.” He smiled then as he walked to where I stood. “You don’t sound remotely sorry.” I grinned at him. “Do me a favor,” Kieran said, looking down at me. “Protect your Prince, Poppy.”

PoppyCasteelKieranAkofafBloodandash
Book:A Kingdom of Flesh and Fire
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“The carriage door ripped open, torn from its hinges. Cold air rushed in with the night, and the night was enraged. It washed over me, its intensity so stunning, it overwhelmed me, shutting down my senses. [...] “It’s okay. Shh, it’s okay, Poppy. Stop. Look at me,” a voice demanded. “Look at me, Princess.” Princess. The Ascended wouldn’t call me that. Breathing ragged, my wild gaze swiveled around the carriage, stopping when I found him. He hovered over me, cheeks spotted with blood. “Hawke,” I whispered. “Yeah. Yes.” He sounded shredded and windblown. “It’s me.”

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Book:A Kingdom of Flesh and Fire
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“[T]here is every probability that, although the historic scenes of many of the Arthurian exploits can be traced to the kingdom of Strathclyde or Cumbria, and the north of England generally, the poems celebrating them were chiefly framed in Armorica - the place of quiet retreat and refuge for the exiled Britons of our island - and that they thence came back to Britain itself, and also spread over the Courts of France and Germany in Norman-French.”

BrittanyArthurian RomancesArmoricaCumbriaKingdom Of Strathclyde
Book:History and Poetry of the Scottish Border: Their Main Features and Relations, Volume 1
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