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Quote by Hannah Richell

“I don't think you two have even tried to beat me," says Albie with obvious dissatisfaction as he declares "Mahjong" for a final time. "Sorry, Albie," she says. "It just wasn't going my way today. Well done." She reaches across the table and begins to stack the tiles to pack them away, her hand accidentally brushing against Jack's as he simultaneously returns his pieces to the centre of the table. She glances at him, wondering if he too felt the surge of energy pass between them. "I'd like a rematch," says Jack, his eyes fixed firmly on Lillian's. "I feel sure I can only improve my performance with practice.”

Quote by Hannah Richell

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The Peacock Summer

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Hannah Richell

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“I think it would be for the best if we both pretend yesterday afternoon- in the woods- it never happened. Wouldn't you agree?" "I would." He takes a step closer, his eyes still locked on hers. He is no longer smiling. "And I think we should avoid any future situations that put us in close proximity to each other." "Like this one?" "Yes." Jack nods, still holding her eye, and she tries hard to control the rise of blood to her face as a fragment of something from the woods comes back to her- the sensation of his fingers running down the curve of her collarbone, his mouth against her neck. "Good." She clears her throat. "I'm glad we understand each other." "We do." He takes another step towards her, so close now that she wonders if it is the breeze through the open window she can feel on her skin, or his warm breath. "I think that is our problem, Lillian. We understand each other. You and I, we seem to share something." Lillian can hear her heart beating in her ribcage. "I felt it that first moment I saw you... at the party." Lillian swallows. "You feel it too, don't you?" he asks. The sun, now low in the sky, filters through the trees outside in the arboretum, casting them both in a burnished glow. She knows she must go. She knows she must turn and leave the room, but something in his eyes holds her fixed to the spot. "Tell me that it's not just me, that I'm not imagining this," he says in a low voice. There is a stillness in the room, as if they both await the next breath, the next word. She swallows. "I feel it, too." She isn't sure who takes the next step but it doesn't really matter; she is in his arms again and he is kissing her, pulling her close and all reason and rational thought- all the jumbled arguments she has agonized over- fly away like a flock of birds startled from the branches of a tree. Her arms are wrapped around his waist and his hands are on her face and in her hair as they stumble backwards. She meets the edge of the desk, and then he is lifting her onto its surface, several brushes clattering to the floor as he presses against her. "We mustn't," she sighs, but already her fingers are tugging at the buttons of his shirt. She parts her legs and his hands move under her skirt, his fingertips grazing the bare skin above her silk stockings. "Do you want me to stop?" he asks, his breath hot against her neck. But she draws him to her again, pressing her mouth against his ear to whisper her answer. "Don't stop. I don't want you to stop.”

“Ever since the sparrowhawk... since that day... you've released something in me." He clears his throat, as if embarrassed, but he doesn't stop. "For days I was all angst and despair, tortured by the blank walls, uncertain how to cover such a vast space. Then, after that first night together, it was there; the idea arrived, almost fully formed. It's exhilarating, and terrifying." "Terrifying?" "Yes. I'm so gripped by it that I don't want to spend too much time away from the room. I'm terrified I will lose the thread of it if I don't keep going. There's a moment when you're creating, when you lose yourself in the act of it, when you know you're finally hitting the flow of the piece. That's what I'm desperate to hold on to. Though it's quite a challenge. The size of the room means I have to work a little differently. It's all an experimental process, a sort of unfolding." He reaches out to stroke her bare shoulder. "I've never felt so inspired, so excited by a piece's possibility." He glanced at her, that wry smile of his just visible in the darkness. "I think I may have discovered my Muse." "Cloudesley?" He laughs and shakes his head. "No, you clot. You." Lillian smiles. She can't think of a greater or more unexpected compliment than being called Jack's Muse.”

“I take the view that God, in his infinite wisdom, didn't bother to spring for two joints - heaven and hell. They're the same place, but heaven is when you get everything you want and you meet Mommy and Daddy and your best friends and you all have a hug and a kiss and play your harps. Hell is the same place - no fire and brimstone - but they just all pass by and don't see you. There's nothing, no recognition. You're waving, "It's me, your father," but you're invisible. You're on a cloud, you've got your harp, but you can't play with nobody because they don't see you. That's hell.”

Book:Life

“Jack pulls out the chair next to Lillian and as he sits, she feels his foot settle beside her own, a light but insistent pressure brushing against her heel. Joan teases him briefly on his newfound status as village heartthrob and engages him in a conversation about his art, but as soon as her attention is diverted by the arrival of others from the village, Jack slides his own hand beneath the table and strokes the soft part of Lillian's wrist where it rises out of her glove. "You look beautiful," he murmurs. She jumps at his touch, the words of the fortune-teller echoing in her mind. Someone is watching. "Don't," she says. "Not here." He has an intense way of looking at her, the undercurrent of a smile hidden in his dark grey eyes, the slightly predatory way his gaze sweeps over her that brings a flush to her skin as she remembers the intimate things he did to her the night before; her hands gripping the bedhead, the way she had bitten down on there back of her hand to prevent herself from crying out. It's agony not to be able to touch him. To hell with virtue and propriety; all she wants to do is seize his hand and drag him away from prying eyes and idle gossip and those pretty girls, back to Cloudesley, back to the privacy of her bedroom.”

“They follow the road into secluded green valleys, before climbing back up into the chalk hills. She looks across at Jack and finds him smiling at her. "Eyes on the road," she warns, but she takes up his hand and places it on her warm thigh, gradually directing it under the edge of her skirt and petticoat. He glances across at her again, his smile broadening. Lillian shifts a little in her seat, parting her legs slightly, releasing a soft sigh as his fingertips graze her inner thigh.”

“They have the place to themselves and for a while they simply sit and look out at the view, her body relaxing into his. The cloudless sky is a spectacular wash of graduated colors- navy highest above them, fading to lighter cyan closer to the earth, under-lit by the rosy blush of the sun hovering upon the horizon. There is a peace to the place, a certain stillness, nothing but the setting sun and the occasional silhouette of a soaring bird to distract from the awe-inspiring view.”

“The most poignant image of all is one she only notices as she takes another turn and gazes at the ceiling. In a single patch of blue sky, a solitary gap in the dense canopy, she sees the outline of a familiar bird: a sparrowhawk flying free. She smiles to see it, remembering that first day with Jack in their woodland cathedral. It's then that she realizes, finally, what the room represents. It isn't just a playful depiction of their woodland place, a triumph of the mastery of illusion. This painted room is something else entirely. It is a declaration of love. It is a veiled tribute to their love affair- a depiction of the most precious moments they have shared, laid out in a secret code only she will understand. Lillian spins around, astounded, drinking it all in.”