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“He had the sleeves rolled up on his bathrobe, and it was a fairly jarring, chaotic picture he painted, yet somehow he made it seem lazily elegant. Like a sculptor shaping a lump of clay with muddy hands, like feeling along the edges of rolled-out pastry dough to check its thickness, or scoring a flour-dusted bâtard—something weirdly bold and confident about it. The seductive art of Nutella, as taught by one Tonio Salone. Unnerving.” — Abigail C. Edwards
He had the sleeves rolled up on his bathrobe, and it was a fairly jarring, chaotic picture he painted, yet somehow he made it seem lazily elegant. Like a sculptor shaping a lump of clay with muddy hands, like feeling along the edges of rolled-out pastry dough to check its thickness, or scoring a flour-dusted bâtard—something weirdly bold and confident about it. The seductive art of Nutella, as taught by one Tonio Salone. Unnerving.