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“He [The Northman] has but one view of man; man asserting himself, maintaining his honour, as he calls it. All that moves within a man must be twisted round until it becomes associated with honour, before he can grasp it; and all his passion is thrust back and held, until it finds its way out in that one direction. His friendship of man and love of woman never find expression for the sake of the feeling itself; they are only felt consciously as a heightening of the lover's self-esteem and consequently as an increase of responsibility. This simplicity of character shows in his poetry, which is at heart nothing but lays and tales of great avengers, because revenge is the supreme act that concentrates his inner life and forces it out in the light. His poems of vengeance are always intensely human, because revenge to him is not an empty repetition of a wrong done, but a spiritual self-assertion, a manifestation of strength and value; and thus the anguish of an affront or the triumph of victory is able to open up the sealed depths of his mind and suffuse his words with passion and tenderness. But the limitation which creates the beauty and strength of Teuton poetry is revealed in the fact that only those feelings and thoughts which make man an avenger and furthers the attainment of revenge, are expressed; all else is overshadowed. Woman finds a place in poetry only as a valkyrie or as inciting to strife; for the rest, she is included among the ordinary inventory of life. Friendship, the highest thing on earth among the Teutons, is only mentioned when friend joins hands with friend in the strife for honour and restitution.” — Vilhelm Grønbech