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“Many of the members of the decolonial aestheSis collective are practicing artists, theoreticians, curators, and writers who arrive to the process as a result of understanding the way in which the axis of coloniality and modernity/rationality (as Anibal Quijano puts it in his inaugural article) still resonates and maintains the debates about art, art practice, and the institutions that support it. Decolonial AestheSis at the 11th Havana Biennial Social Text Periscope 2013” — Raul Moarquech Ferrera-Balanquet and Miguel Rojas-Sotelo
Many of the members of the decolonial aestheSis collective are practicing artists, theoreticians, curators, and writers who arrive to the process as a result of understanding the way in which the axis of coloniality and modernity/rationality (as Anibal Quijano puts it in his inaugural article) still resonates and maintains the debates about art, art practice, and the institutions that support it.
Decolonial AestheSis at the 11th Havana Biennial
Social Text Periscope 2013