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“I thought I was going to miss it. I'd be at Chris Pratt's house when the first pitch was thrown. He'd be cooking tacos made with the meat of a wild boar he himself had killed. I'd be eating those tacos and interviewing him. That was the conceit of the story. But after twenty minutes, I could tell that he was a good guy and would understand, so I told him everything - the press pass, the tough choice, the Cubs, the precipice - "Down three games to one in the Series? Not many people come back from that, mate" [see previous chapter] - and he insisted we drink tequila, turn on the big TV and watch the game. He said he was partial to the Cubs, "because if they win, anything is possible.”

Quote by Rich Cohen

Book:The Chicago Cubs: Story of a Curse
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The Chicago Cubs: Story of a Curse

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Rich Cohen

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“If the Cubs win the World Series, the playing of the sport must be discontinued. The leagues disbanded, the players sent home, the stadiums destroyed. Professional baseball really began with the team that became the Cubs. Early in the twentieth century, that team won and won and won and then, for whatever reason, stopped winning. They set of on a 108-year trek through the wilderness, plumbed the depths of defeat, then somehow found their way back. 2016 was 1908 all over again. The historic arc of the game could finally be recognized. It's a story that begins and ends in Chicago. If they won Game 7, that story would reach its obvious conclusion. Disband and go home. Anything beyond this point is postscript.”

BaseballChicagoWorld SeriesCubs
Book:The Chicago Cubs: Story of a Curse
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“Then she pointed across the rolling hill to the most famous grave in the [All Saints] cemetery, which is where she was headed next, to pay respects to Harry Caray before going to watch the game. His stone has green apples on top, an inside joke referencing a quote about the Cubs one day making it to a World Series just as surely as God made green apples”

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Book:The Cost of These Dreams: Sports Stories and Other Serious Business
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“Happy the writer who, passing by characters that are boring, disgusting, shocking in their mournful reality, approaches characters that manifest the lofty dignity of man, who from the great pool of daily whirling images has chosen only the rare exceptions, who has never once betrayed the exalted turning of his lyre, nor descended from his height to his poor, insignificant brethren, and, without touching the ground, has given the whole of himself to his elevated images so far removed from it. Twice enviable is his beautiful lot: he is among them as in his own family; and meanwhile his fame spreads loud and far. With entrancing smoke he has clouded people's eyes; he has flattered them wondrously, concealing what is mournful in life, showing them a beautiful man. Everything rushes after him, applauding, and flies off following his triumphal chariot. Great world poet they name him, soaring high above all other geniuses in the world, as the eagle soars above the other high fliers. At the mere mention of his name, young ardent hearts are filled with trembling, responsive tears shine in all eyes...No one equals him in power--he is God! But such is not the lot, and other is the destiny of the writer who has dared to call forth all that is before our eyes every moment and which our indifferent eyes do not see--all the stupendous mire of trivia in which our life in entangled, the whole depth of cold, fragmented, everyday characters that swarm over our often bitter and boring earthly path, and with the firm strength of his implacable chisel dares to present them roundly and vividly before the eyes of all people! It is not for him to win people's applause, not for him to behold the grateful tears and unanimous rapture of the souls he has stirred; no sixteen-year-old girl will come flying to meet him with her head in a whirl and heroic enthusiasm; it is not for him to forget himself in the sweet enchantment of sounds he himself has evoked; it is not for him, finally, to escape contemporary judgment, hypocritically callous contemporary judgment, which will call insignificant and mean the creations he has fostered, will allot him a contemptible corner in the ranks of writers who insult mankind, will ascribe to him the quality of the heroes he has portrayed, will deny him heart, and soul, and the divine flame of talent. For contemporary judgment does not recognize that equally wondrous are the glasses that observe the sun and those that look at the movement of inconspicuous insect; for contemporary judgment does not recognize that much depth of soul is needed to light up the picture drawn from contemptible life and elevate it into a pearl of creation; for contemporary judgment does not recognize that lofty ecstatic laughter is worthy to stand beside the lofty lyrical impulse, and that a whole abyss separates it from the antics of the street-fair clown! This contemporary judgment does not recognize; and will turn it all into a reproach and abuse of the unrecognized writer; with no sharing, no response, no sympathy, like a familyless wayfarer, he will be left alone in the middle of the road. Grim is his path, and bitterly he will feel his solitude.”

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Book:Dead Souls
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