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Quote by James David Lewis-Williams

“Shamanism is not simply a component of society: on the contrary, shamanism, together with its tiered cosmos, can be said to be the overall framework of society.”

Quote by James David Lewis-Williams

Book:The Mind in the Cave: Consciousness and the Origins of Art

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The Mind in the Cave: Consciousness and the Origins of Art

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James David Lewis-Williams

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“Perhaps the most striking feature of the west European Upper Palaeolithic, one on which many writers comment, is a sharp increase in the rate of change. Compared with the preceding Middle Palaeolithic, a great deal happened in a comparatively short time.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“The notion that an image is a scale model of something else (say, a horse) requires a different set of mental events and conventions from those that perceive the social symbolism of red marks on someone’s chest.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Around 30,000 years ago, in the Aurignacian, at the beginning of the Upper Palaeolithic, someone or some group in the Eyzies region invented drawing, the representation in two dimensions on the flat of the stone of what appeared in the environment in three dimensions.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Seeing’ two-dimensional images is therefore something that we learn to do; it is not an inevitable part of being human.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Consciousness has evolved biologically and can therefore be explained biologically.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“The cerebral cortex, the outer ‘skin’ of the brain, contains as many as ten billion neurons. This complexity is daunting. Yet it is out of complex interactions between the billions of neurons that consciousness arises.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Primary consciousness is a state of being aware of things in the world – of having mental images in the present.But it is not accompanied by any sense of a person with a past and future…”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Primary consciousness is a kind of ‘remembered present’…”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“I believe it is reasonable to assume that higher-order consciousness developed neurologically in Africa before the second wave of emigration to the Middle East and Europe.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art

“Improved memory made possible the long-term recollection of dreams and visions and the construction of those recollections into a spirit world.”

Consciousness Upper Palaeolithic Art

Book:The Mind in the Cave: Consciousness and the Origins of Art

Source: The Mind in the Cave: Consciousness and the Origins of Art