Quotessence
Home / Quotes / Quote by George R.R. Martin

Quote by George R.R. Martin

Work

A Dance with Dragons

Browse quotes and source details for this work. more

Author

George R.R. Martin

Browse famous quotes and profile details for George R.R. Martin. more

You May Also Like

“Leo!” Jason was shaking his shoulder. “Hey, man, why are you hugging Nike?” Leo’s eyes fluttered open. His arms were wrapped around the human-sized statue in Athena’s hand. He must have been thrashing in his sleep. He clung to the victory goddess like he used to cling to his pillow when he had nightmares as a kid. (Man, that had been so embarrassing in the foster homes.) He disentangled himself and sat up, rubbing his face. “Nothing,” he muttered. “We were just cuddling.”

“Plain Kate greased her boots and bandaged her feet, and soon she would walk like a Roamer born. She helped Drina with the water and the wood, and in the long, wet evenings she carved objarka burji. Plain Kate carved fast and learned slowly. She was bewildered most of the time, but Daj called her mira again, and when she asked Drina what it meant, the girl replied, "It means she likes you. It means your family." Family. It could have kept her walking for a hundred miles. And she did walk far.”

“When it is time to sleep, Tiernan and Oak wrap themselves in bearskins. Oak drapes one over my shoulders. I say nothing to indicate that I don't need it, that I am never too cold. When we lie down by the fire, he watches me. The light dances in his eyes. 'Come here,' he says, beckoning with a hand. I am not sure I know the me who moves, who shifts so that I am resting my head against his shoulder. The me who feels his breath against my hair and the pressure of his splayed fingers at the small of my back. His feet tangle with mine, my toes brushing against the fur just above his hooves. My fingers are resting against his stomach, and I cannot help feeling the hard planes of him, the muscles and the scars. When I move my hand, his breath catches. We both go still. Tiernan, close to the fire, turns in his sleep. In the firelight, the prince's amber eyes are molten gold. I am aware of my skin in a way I have never been before, of the slight movements of my limbs, of the rise and fall of my chest. I can hear the beat of his heart against my cheek. I feel as though I am shouting kiss me with every restless shift of my body. But he does not, and I am too much of a coward to do more than lie there and yearn until my eyes drift closed at last.”

“I put my head on his shoulder ‘Wh-what are you doing?’ he yells, shoving me away from him with wide eyes. ‘I was giving you a hug!’ I say. ‘Y-you-!’ ‘Pff. D’you really think I’d do that? I’m trying to keep warm, idiot. You’re like my overgrown Furby.’ ‘I’m in a human form, not my kytaen!’ ‘Tomayto, tomahto.’ I come close to him. He pushes me away. ‘You shouldn’t be doing that!’ ‘What’s the problem? You said you’re my tool, right? Well, I’m cold, tool of mine, so why don’t you calm the hell down and give me some of that sweet, sweet warmth?’ ‘Don’t touch me!’ ‘I’m starting to think you’re self-conscious in this form. You let me cuddle you in your other-‘ ‘We did not cuddle!’ he shouts. I manage a grin. ‘Would you prefer I use a different word? Snuggle, maybe?”

“[Adrienne Rich] was one of the only major intellectuals since Freud to assert that homosexuality was anything other than a problem. She is also notable for describing a continuum, like Kinesey's, of lesbian love - a continuum that begins with the intimacy of a mother nursing her daughter and ends with a nurturing, egalitarian love relationship between two women. While this theory eventually contributed to the stifling stereotype that lesbians only cuddle and nuzzle in bed, supporting each other and drinking chamomile tea, Rich was savvy to link same-sex love - so taboo, so unnatural - with a role for women seen as unassailable: being a mother.”