Quotessence
Home / Quotes / Quote by William Joyce

Quote by William Joyce

“(Jack) Hey Twiner, you still alive? (Twiner) Yes. (Jack) Ok, good. Just checking. (Twiner) Hey Jack? (Jack) Yes? (Twiner) You still alive?”

Quote by William Joyce

Create image

Author

William Joyce
William Joyce

William Joyce, born on December 11, 1957, is a renowned writer known for his rich imagination and profound寓意. His works are highly appreciated by readers for their unique literary style. more

You May Also Like

“She finds herself, by some miraculous feat, no longer standing in the old nursery but returned to the clearing in the woods. It is the 'green cathedral', the place she first kissed Jack all those weeks ago. The place where they laid out the stunned sparrowhawk, then watched it spring miraculously back to life. All around, the smooth, grey trunks of ancient beech trees rise up from the walls of the room to tower over her, spreading their branches across the ceiling in a fan of tangled branches and leaves, paint and gold leaf cleverly combined to create the shimmering effect of a leafy canopy at its most dense and opulent. And yet it is not the clearing, not in any real or grounded sense, because instead of leaves, the trees taper up to a canopy of extraordinary feathers shimmering and spreading out like a peacock's tail across the ceiling, a hundred green, gold and sapphire eyes gazing down upon her. Jack's startling embellishments twist an otherwise literal interpretation of their woodland glade into a fantastical, dreamlike version of itself. Their green cathedral, more spectacular and beautiful than she could have ever imagined. She moves closer to one of the trees and stretches out a hand, feeling instead of rough bark the smooth, cool surface of a wall. She can't help but smile. The trompe-l'oeil effect is dazzling and disorienting in equal measure. Even the window shutters and cornicing have been painted to maintain the illusion of the trees, while high above her head the glass dome set into the roof spills light as if it were the sun itself, pouring through the canopy of eyes. The only other light falls from the glass windowpanes above the window seat, still flanked by the old green velvet curtains, which somehow appear to blend seamlessly with the painted scene. The whole effect is eerie and unsettling. Lillian feels unbalanced, no longer sure what is real and what is not. It is like that book she read to Albie once- the one where the boy walks through the wardrobe into another world. That's what it feels like, she realizes: as if she has stepped into another realm, a place both fantastical and otherworldly. It's not just the peacock-feather eyes that are staring at her. Her gaze finds other details: a shy muntjac deer peering out from the undergrowth, a squirrel, sitting high up in a tree holding a green nut between its paws, small birds flitting here and there. The tiniest details have been captured by Jack's brush: a silver spider's web, a creeping ladybird, a puffy white toadstool. The only thing missing is the sound of the leaf canopy rustling and the soft scuttle of insects moving across the forest floor.”

GreenNatures BeautyLillian And JackOptical IllusionDetailedPainting A CanvasCathedral Of NatureTrompe L Oeil
Book:The Peacock Summer
Create image

“It's a little early to be falling asleep," says a voice, soft and low, at her side. Startled, she spins to face the man who seems to have materialized from nowhere. "By all accounts," he adds, "there are still hours of this to get through." She doesn't recognize him. In the near-darkness his face is smooth like sculpted marble and his eyes shine almost black; his expression is hard to read- playful, perhaps- but it's his choice of words that intrigues her the most.”

Lillian And JackFirst Met
Book:The Peacock Summer
Create image

“Fincher," he says. "Jack Fincher. I'm an artist," he adds, a hint of apology in his voice. "An artist?" Lillian has not expected this reply. "Are you any good?" The man gives a wry smile. "If I say "yes", you will think me horribly conceited. And if I say "no", you'll probably vanish at the earliest possible opportunity and find someone far more interesting to talk to." "You wouldn't want me to vanish?" she asks, once more surprised at her daring. "No," he says, holding her gaze. "I wouldn't want you to vanish.”

FlirtingLillian And Jack
Book:The Peacock Summer
Create image

“She is about to close the book and return it to the desk when she catches sight of a face passing on the flickering pages. She leafs her way back until she finds it again- not an entire face, but a section; an eye, the sweep of a cheekbone, the curved line of a neck observed from side-on; all illustrated as if seen in the reflection of a small, oval mirror. A car-wing mirror. She peers at the page more closely, breath held in her chest as the moment returns to her: sitting in Charles's new car, Jack scrunched in the back and Lillian in the front, a peacock barring their path. It is exactly how he would have seen her reflected back at him in the wing-mirror. As with the other drawings, the accuracy is remarkable. She is amazed at his ability to recall the smallest details. There is the pearl stud at her earlobe and the almost indiscernible beauty spot above her lip. Yet the more closely she studies the sketch, the more she is discomforted. It isn't just the precision of the pencil lines conjuring her on the paper- butt more the expression he has captured- a certain wistfulness she hadn't known she wore so plainly. The portrait feels so intimate; almost as if he had laid her bare on the page. She continues to leaf through the sketches and finds a second portrait. This time she is seated in the drawing room, her face turned to the window, the skirt of her dress falling in a fan to to the floor. A third reveals her standing on the terrace, leaning against the balustrade, a long evening dress sweeping about her legs. The night of the party. The next page shows just her arm, identifiable by a favorite diamond bracelet dangling at the wrist. The last is of her head and shoulders, viewed from behind, the curves of her neck rising up to a twisted knot of hair. Looking at the images she isn't sure how she feels; flattered to be seen, to be deemed worthy of his time and attention, though at the same time a little uncomfortable at the intimacy of his gaze and at the thought of having been so scrutinized when she hadn't even known he was watching her.”

Point Of ViewPortraitsLillian And JackSketches
Book:The Peacock Summer
Create image