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Quote by Yukito Ayatsuji

“In the end, people are only able to think and feel within the limits of the "system", the specific culture of the society they belong to. Notions like artistic value and beauty are inevitably shackled by that system, and even the words we use are dictated by it.”

Quote by Yukito Ayatsuji

Work

The Mill House Murders

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Author

Yukito Ayatsuji

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“З огляду на масштаби косметичної індустрії та великого індустріального комплексу краси, космічні прибульці, що завітали б до нас, напевно подумали б, що ми вважаємо себе достоту потворними істотами, що потребують постійного покращення.”

“Hi ha una tònica que sempre es repeteix, la qüestió de classe. La bellesa acosta a una il·lusió de poder, i és això el que la fa addictiva. Però és un poder esclau, traïdor, que no podem destriar de l'amenaça. La bellesa si no neix del desig és una fugida. I si ens acosta al poder, encara que sigui per un moment, no es tracta tant de control com d'adequació.”

“It’s clear now, that swanhood didn’t serve her. It only served those around her. Dean Farrell, who took her innocence; the woman called Mei, who sold Lindsey’s beauty and kept the profits. That she, too, was a woman somehow made it worse. All things considered, I am lucky not to be a swan. Objectively, the outcomes are better. Even knowing this, I would happily become one if the chance presented itself.”

“But some of the machinery would be left, since new pieces could always be bought on the instalment plan - gaunt, staring motionless wheels rising from the mounds of brick rubble and ragged weeds with a quality profoundly astonishing, and gutted boilers lifting their rusting and unsmoking stacks with an air stubborn, baffled and bemused upon a stumppocked scene of profound and peaceful desolation, unplowed, untilled, gutting slowly into red and choked ravines beneath the long quiet rains of autumn and the galloping fury of vernal equinoxes.”

“The door opened with a creak, admitting a draft that stirred the air without refreshing it. The woman who entered was tall, commanding the space without effort, her presence a disruption in the grey uniformity. Long, coppery hair fell in rich, wavy cascades, textured as if tended with care from a bygone era; drowned in treatments and rich oils, evoking old TikTok reels of effortless glamour, a relic of abundance. Her lips were a vivid red, bold against the pallor of the day, and her eyes gleamed green, sharp with intent. She scanned the room once, then approached Nia's table, her movements fluid, accented by the subtle click of boots on worn tile and hugged her... ... Colonel Yelena Kuznetsova smelled nice, a fragrance of jasmine and sandalwood that evoked women before the war, polished and unscarred. Like a glitch in the matrix, a type of person that didn't exist anymore: curated, soft, vibrant, untarnished by the grind. And there Nia was, dark brown hair hanging lifelessly over her shoulders in messy cascades, grown out without trimming from a close shave that spoke of practicality over vanity; dressed in the same orange hoodie and leather jacket worn most of the time, smelling of coffee, rust, and ink. Her eyes were pale blue and tired, undereye bags taking more space than brows and eyes together, and her lips had not seen a Chapstick in a while, cracked from the persistent chill and humidity.”