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“Filming a scene, there are countless takes of the same incident. Someone watching in the street - obviously a provincial - can't get over it: 'After this, I'll never go to the movies again.' One might react similarly with regard to anything whose underside one has seen, whose secret has been seized. Yet, by an obnubilation which has something of the miraculous about it, there are gynecologists who are attracted to their patients, gravediggers who father children, incurables who lay plans, skeptics who write . . .” — Emil M. Cioran
Filming a scene, there are countless takes of the same incident. Someone watching in the street - obviously a provincial - can't get over it: 'After this, I'll never go to the movies again.'
One might react similarly with regard to anything whose underside one has seen, whose secret has been seized. Yet, by an obnubilation which has something of the miraculous about it, there are gynecologists who are attracted to their patients, gravediggers who father children, incurables who lay plans, skeptics who write . . .