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Quote by C.H. Spurgeon

“A philosopher has remarked that if a man knew that he had thirty years of life before him, it would not be an unwise thing to spend twenty of those in mapping out a plan of living and putting himself under rule; for he would do more with the ten well-arranged years than with the whole thirty if he spent them at random. There is much truth in that saying. A man will do little by firing off his gun if he has not learned to take aim.”

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C.H. Spurgeon

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“And a ride in a hearse tells us we’re all close to that final cruise . . . when the body dies and we move on. It’s just the body, man. It’s just the body. The soul’s already gone. So don’t be afraid of a dead body absent a soul. It’s empty, man. No resident. What you need to worry about is a living body that’s lost its soul. Now that is scary, man.” - Funk N. Wagnalls, owner of the Grim Reapers auto lot, a character in Professor Brown Shoes Teaches the Blues.”

Soul Music Death And Dying Rock And Roll Blues Grateful Dead Griot Hearse

Book:Professor Brown Shoes Teaches the Blues

Source: Professor Brown Shoes Teaches the Blues

“Eventually they [Sarunas Marciulionis and Don Nelson] got a call from a representative of the Grateful Dead, whose members had been inspired by Lithuania's struggle for independence. Nelson and Marciulionis showed up at the address they were given in San Francisco, which was a small, nondescript garage. 'I thought we were the victim of a practical joke until we opened the door and there was a state-of-the-art recording studio' says Nelson. 'I still remember the Dead were trying out Beatles covers, doing stuff like "Here Comes the Sun" and "Hey Jude"... but they were just kind of working through things and sounding kind of nasally and, well, maybe there was a little pot going on. So Sarunas pulls me aside and says 'Donnie, no way these guys are famous. They're terrible.' '.”

Basketball Lithuania 1992 Grateful Dead Dream Team Jerry Garcia Don Nelson Sarunas Marciulionis

Book:Dream Team: How Michael, Magic, Larry, Charles, and the Greatest Team of All Time Conquered the World and Changed the Game of Basketball Forever

Source: Dream Team: How Michael, Magic, Larry, Charles, and the Greatest Team of All Time Conquered the World and Changed the Game of Basketball Forever

“Life was full: no hacker is worth missing a Dead concert for.”

Grateful Dead Computer Hackers

Book:The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage

Source: The Cuckoo's Egg: Tracking a Spy Through the Maze of Computer Espionage

“Grateful Dead performances were by design not consciously planned, often reaching their artistic peak when the collective stumbled upon something stunning, when "the music played the band," as it were. Instead of using set lists, the Grateful Dead chose songs by experimenting together until a pulse, rhythm, phrase, or riff emerged from the group, suggesting a song. Their collective, improvisatory musical works communicate felling like any other artwork.”

Grateful Dead

Book:The Grateful Dead and Philosophy: Getting High Minded about Love and Haight

Source: The Grateful Dead and Philosophy: Getting High Minded about Love and Haight

“For me, making a record is like building a ship in a bottle. Playing live music is like being in a rowboat in the ocean.”

Rock And Roll Sixties Grateful Dead Jerry Garcia Deadheads

Author:Jerry Garcia, quoted by William Plummer in "The Holy Goof: A Biography of Neal Cassady", p. 144h

“One final note one the [Rolling] Stones, though: When they came through the Bay Area earlier on that tour for regular concerts at the Oakland Coliseum Arena [before the Altamont free concert, 1969], 'They blew up all their equipment at the first show,' Betty Cantor-Jackson relates. 'They had all this Ampeg equipment, and it just went Ffffffttt! They were in a panic, so [Larry] Ram Rod [Shurtliff] and [Unknown maybe Rex?] Jackson raced to our [Grateful Dead] warehouse and brought down a bunch of our [rewired, kicked up, tinkered and experimented with] Fender amps for them, and the next show we sat up onstage while they played, and it sounded amazing. That was one of the times Bill Graham was nice to us,' She laughs. 'Anyway, I remember the first note Keith {Richards} played through Jerry's [Garcia] amp, and his mouth just dropped open. 'Woah!'. He couldn't believe the power and the clarity.'.”