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Quote by Carmen Neagu nee Eni

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Îmblânzirea anxietății. Ghid terapeutic pentru profesori

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Carmen Neagu nee Eni

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“A lot of men not only fear emotional pain, they are afraid to be transparent and vulnerable. To let an outsider even glimpse their confusion or suffering is a taboo that starts in adolescence and becomes more entrenched with adulthood.”

TabooEmotional PainMen S InsecuritiesFear Of VulnerabilityInsecurities Of MenMean Fear Emotional PainVulnerable Men
Book:Why Men Fall Out of Love: What Every Woman Needs to Understand
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“What?” Lucien laughed. “Yes—all those female faeries around you were females for Tamlin to pick. It’s an honor to be chosen, but it’s his instincts that select her.” “But you were there—and other male faeries.” My face burned so hot that I began sweating. That was why those three horrible faeries had been there—and they’d thought that just by my presence, I was happy to comply with their plans. “Ah.” Lucien chuckled. “Well, Tam’s not the only one who gets to perform the rite tonight. Once he makes his choice, we’re free to mingle. Though it’s not the Great Rite, our own dalliances tonight will help the land, too.” He shrugged off that invisible hand a second time, and his eyes fell upon the hills. “You’re lucky I found you when I did, though,” he said. “Because he would have smelled you, and claimed you, but it wouldn’t have been Tamlin who brought you into that cave.” His eyes met mine, and a chill went over me. “And I don’t think you would have liked it. Tonight is not for lovemaking.”

PowerFeyreTamlinLucienLovemakingInstinctsCouplingHigh LordMaidenGreat Rite
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“As women, we can embody all aspects of the Triple Goddess simultaneously (Mother, Maiden, Crone) at every stage of our lives. The elements of feminine mystique, giftedness, and strength are available to us through the spirit as much as the body.”

MotherSpiritualityWomen EmpowermentGoddessWomen S InspirationalWomen S StrengthSacred FeminineMaidenCroneDivine Feminineinine
Book:Singing Woman: Voices of the Sacred Feminine
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“James Juniper is the wild sister, fearless as a fox and curious as a crow; she goes first into the tower. Inside she finds a ruin: snowdrifts of ash and char, the skeleton of the staircase still clinging to the walls, greasy soot blackening every stone. And three women... One of them is pale and fey, with ivory antlers sprouting from matted dark hair and yellowed teeth strung in a necklace around her throat. Her dress is ragged and torn, black as a moonless night. She meets Juniper's eyes and Juniper feels a thrill of recognition. Juniper always loved maiden-stories best. Maidens are supposed to be sweet, soft creatures who braid daisy-crowns and turn themselves into laurel trees rather than suffer the loss of their innocence, but the Maiden is none of those things. She's the fierce one, the feral one, the witch who lives free in the wild woods. She's the siren and the selkie, the virgin and the valkyrie; Artemis and Athena. She's the little girl in the red cloak who doesn't run from the wolf but walks arm in arm with him deeper into the woods. Juniper knows her by the savage green of her eyes, the vicious curve of her smile. An adder drapes over her shoulders like a strip of dark velvet, like the carved-yew snake of Juniper's staff come to life. Juniper's smile could be the Maiden's own, sharp and white, mirrored back across the centuries.”

WitchcraftMaidenFierce Women
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“Daisy realized that her heart had begun to thump just as it had when she had read the more lurid passages of 'The Plight of Penelope,' in which a maiden was captured by an evil villain who locked her in a tower room until she agreed to surrender her virtue. Daisy had known the novel was silly even as she had read it, but that had not detracted one bit from her enjoyment. And she had been perversely disappointed when Penelope had been rescued from imminent ruin by the bland golden-haired hero Reginald, who was not nearly as interesting as the villain. Of course the prospect of being locked in a tower room without any books had not sounded at all appealing to Daisy. But the threatening monologues by the villain about Penelope's beauty, and his desire for her, and the debauchery he would force on her, had been quite intriguing.”

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