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Quote by P.G. Wodehouse

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Hot Water

This book delves into the complexities of relationships and the challenges individuals face in their daily lives. The narrative unfolds through the lens of a family, highlighting the interconnectedness of their lives and the impact of their decisions on one another. more

Author

P.G. Wodehouse

Browse famous quotes and profile details for P.G. Wodehouse. more

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“Domination was and is at the heart of penis politics: a man maintaining power over a woman through gender or sex-based control…. Andrew (Cuomo) was the master of the art of penis politics. In Washington, he’d given me a job and then worked to undermine me in it. He made me feel as if I were no good at my job and, thus, totally dependent on him to keep it…. I had never seen anyone push so hard, day, noon, and night… But I was soon to learn that, as Andrew pushed up and up, some of us would be pushed aside.”

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“Should I stay in Greenville, teach my students, or work for Mike Espy (in Washington, DC)….Capitol Hill had many more men than women walking the halls, whether they were members of Congress or congressional and committee staff or lobbyists. The receptionist was usually a woman, and the chief of staff, a man. Sometimes I wondered why anyone in Washington would want to listen to what a girl from Soso, Mississippi, had to say.”

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“You might very well have the requisite players, pros, and cons , but then again, you might have too many. If it’s 30 minutes in and you still can’t figure out what the issue is, it’s time to go: too many issues. Someone who cares more than you needs to distill this chaos down to a coherent statement so the pros and cons can argue about one thing.”

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“The pros are the players who are currently on the winning side of the issue. They’re getting what they want and are not incented to negotiate. They don’t even have to be here, and yet, they’re here and appear willing to listen to the cons, right? Maybe. Maybe they’re just here to watch the cons squirm.”

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“There's no earthly way of knowing Which direction we are going There's no knowing where we're rowing Or which way the river's flowing Is it raining, is it snowing? Is a hurricane a-blowing? - uh! Not a speck of light is showing So the danger must be growing Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing For the rowers keep on rowing And they're certainly not showing Any signs that they are slowing! A-aa-aaa-aaaah!”

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“Wilder's Wonka is, as in the book, the embellishment and excitement round the edges - his batty, barmy, nutty, screwy, dippy, dotty, daffy, goofy, beany, buggy, wacky, loony nature dazzling and drawing our attention but, narratively speaking, remaining decoration.”

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“Hodge admired Wilder’s performance but didn't want to reproduce it - for practical as well as artistic reasons. ‘I'm working in a different medium,’ he says. ‘I really admire Gene Wilder's version, but his energy - that druggy, transcendental, gently enigmatic thing - is different from what I require to sing huge songs and fill a theatre full of children. There's a different engine powering a big West End musical.”

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