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Quote by Titus

“The things that you regret are the things you cannot reset.”

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Titus

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“Don’t be fooled by clever hands, sir” the Sunlight Man said. He’d be lying with the back of his head on his hands, as he always lay. “Entertainment’s all very well, but the world is serious. It’s exceedingly amusing, when you think about it: nothing in life is as startling or shocking or mysterious as a good magician’s trick. That’s what makes stagecraft deadly. Listen closely, friend. You see great marvels performed on the stage - the lady sawed in half, the fat man supported by empty air, the Hindu vanishing with the folding of a cloth - and the subtlest of poisons drifts into your brain: you think the earth dead because the sky is full of spirits, you think the hall drab because the stage is adazzle with dimestore gilt. So King Lear rages, and the audience grows meek, and tomorrow, in the gray of old groceries, the housewife will weep for Cordelia and despair for herself. They weren’t fools, those old sages who called all art the Devil’s work. It eats the soul.”

John GardnerThe Sunlight Dialogues
Book:The Sunlight Dialogues
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“After moving his family from Yakima to Paradise, California, in 1958, he enrolled at Chico State College. There, he began an apprenticeship under the soon-to-be-famous John Gardner, the first "real writer" he had ever met. "He offered me the key to his office," Carver recalled in his preface to Gardner’s On Becoming a Novelist (1983). "I see that gift now as a turning point." In addition, Gardner gave his student "close, line-by-line criticism" and taught him a set of values that was "not negotiable." Among these values were convictions that Carver held until his death. Like Gardner, whose On Moral Fiction (1978) decried the "nihilism" of postmodern formalism, Carver maintained that great literature is life-connected, life-affirming, and life-changing. "In the best fiction," he wrote "the central character, the hero or heroine, is also the ‘moved’ character, the one to whom something happens in the story that makes a difference. Something happens that changes the way that character looks at himself and hence the world." Through the 1960s and 1970s he steered wide of the metafictional "funhouse" erected by Barth, Barthelme and Company, concentrating instead on what he called "those basics of old-fashioned storytelling: plot, character, and action." Like Gardner and Chekhov, Carver declared himself a humanist. "Art is not self-expression," he insisted, "it’s communication.”

WritingParadiseBiographyChekhovCarverRaymond CarverJohn GardnerChico State
Author:William L. Stull
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“The soil, where family seeds are laid in this city, is rotten. Boys and men still believe in the illusion that their crowning achievements are sleeping with as many women as they can. The more women, the more they are revered as a man. They are left in the dark, completely oblivious to the truth that a part of them is given away or dies with every meaningless sexual exploit. The ignorant remain content until one day, and that day may come when they are on their deathbed, where the veil is removed and the harsh reality slaps them with a sobering truth. And that truth, wrapped with regret, sucks the nectar out of all the names, the faces, the bodies, the women who they thought they conquered. They are left free-falling in a never-ending pit. It could be in a flash, and time and space no longer hold ground. That split second will feel like their entire lifetime. That never-ending pit is their hell. As for the girls and women, they too are lost souls. They dive into a virtual world of selfies, likes, hearts and fire emojis. They get chased by men, their sense of self-worth builds to a crescendo, filling them with a sense of desire. A sense of being wanted. The dopamine, the deceitful dopamine, gives them a false sense of value. They lose sight of the difficult “real world” questions: What am I worth? What is my purpose? What are my principles? They lose themselves in pixels and scrolls. It starts with a selfie and pouchy lips. Then a collarbone. Then the breasts. Then the ass. This never-ending loop of reward tricks them into baring themselves naked, physically and emotionally, for men behind a screen to admire. They buy into the idea that every man desires them. They entertain them. And they do. Only for a brief period of time. Then time starts plotting. They get old. The same breasts that got likes and drooling emoji faces from men start to sag. Her ass no longer the peach standard emoji. Her womb, no longer able to bear children. She is left empty. Hollow. All of those likes, comments and meaningless nights with men who do not even remember her name leave her shattered. They gave in their youth for cheap thrills unaware that Father Time comes after every living soul. They then too plunge into that never-ending pit with the men they lived a lie in. That also becomes their hell.”

Men And WomenHeaven And HellNew EraLost SoulsSocial Media AddictionIllusion Quotes
Book:Tajrish
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