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“At first reading, these are stories about love and marriage and the conventional heterosexual happily-ever-after. Only at the second does a sneaky doubt perhaps creep in to suggest that maybe marriage is not the best thing that could ever happen to these women. It has been suggested that with these clever layers of meaning, Jane was perhaps even more subversive than we give her credit for. Yes, she was writing for the commercial market. But she was also writing for her female cronies, for Martha Lloyd, Cassandra and Miss Sharp. She glibly provided the happy endings that society expected, but in an off-hand, almost perfunctory fashion. You don’t have to believe in Jane’s happy endings if you don’t want to. I like to think that this is the band of spinsters’ last laugh.” — Lucy Worsley