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Quote by Marilyn Manson

“The most valuable thing [Anton LaVey] did that day was to help me understand and come to terms with the deadness, hardness and apathy I was feeling about myself and the world around me, explaining that it was all necessary, a middle step in an evolution from an innocent child to an intelligent, powerful being capable of making a mark on the world.”

Quote by Marilyn Manson

Work

The Long Hard Road Out of Hell

This autobiography presents a first-person account of Brian Hugh Warner, known professionally as Marilyn Manson, detailing his childhood, formative experiences, and the creation of his provocative stage persona. The narrative covers his journey from a troubled youth in Ohio to becoming the frontman of the industrial metal band Marilyn Manson, exploring themes of rebellion, artistic expression, and the challenges of navigating fame and public scrutiny. The book offers insight into the cultural and musical landscape of the 1990s, as well as the controversies surrounding the artist's work and public image. more

Author

Marilyn Manson
Marilyn Manson

Marilyn Manson, born Brian Warner, is an American musician, actor, and visual artist. He is renowned for his unique musical style and stage persona, being one of the key figures in industrial and gothic rock. Marilyn Manson's music blends various musical elements, including rock, metal, electronic, and classical music, often exploring themes of darkness, death, and the supernatural. more

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“Elizabeth ran her finger along the windowsill, gathering dust. The view was almost exactly the same as from her own bedroom, only a few degrees shifted. She could still see the Rosens' place, with its red door and folding shutters, and the Martinez house, with its porch swing and the dog bowl. She'd heard once that what made you a real New Yorker was when you could remember back three laters -- the place on the corner that had been a bakery and then a barbershop before it was a cell-phone store, or the restaurant that had been Italian, then Mexican, then Cuban. The city was a palimpsest, a Mod Podged pileup or old signage and other people's failures. Newcomers saw only what was in front of them, but people who had been there long enough were always looking at two or three other places simultaneously. The IRT, Canal Jeans, the Limelight. So much of the city she'd fallen in love with was gone, but then again, that's how it worked. It was your job to remember. At least the bridges were still there. Some things were too heavy to take down.”

“I wonder if all mothers feel like this the moment they realize their daughters are growing up—as if it is impossible to believe that the laundry I once folded for her was doll-sized; as if I can still see her dancing in lazy pirouettes along the lip of the sandbox. Wasn't it yesterday that her hand was only as big as the sand dollar she found on the beach? That same hand, the one that's holding a boy's; wasn't it just holding mine, tugging so that I might stop and see the spiderweb, the milkweed pod, any of a thousand moments she wanted me to freeze? Time is an optical illusion—never quite as solid or strong as we think it is.”