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Quote by The A.A. Walker

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The A.A. Walker

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“Minstrelsy had virtually nothing to do with the way black people really were; it was a purely white construction. Black performers who wanted to work in minstrelsy were run off the stage or forced to blacken their black faces. The form worked literally as, and only as, a black façade for whites: whites in blackface. The black mask permitted whites to say illegal, unorthodox, seditious, and sexually illicit things in public. In short, it was a kind of public pornography, the main theme of which was sexual rebellion, sexual license, poverty, and criminality. In short, all of the fears and ambivalences whites had that were otherwise hidden from public discourse could be articulated through the mouth of a black who was understood to be already outside the law and therefore serviceable. In this fashion, the black mask permitted freedom of speech and created a place for public, national dialogue. For whites that is. On the other hand, the mask hid more ligence, and most importantly, it hid the true causes of social conflict by transferring that conflict to a black population.”

BlackMinstrelsy
Book:The Source of Self-Regard: Selected Essays, Speeches, and Meditations
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“What if I promise to keep my pants on?” The smile in his voice had butterflies fluttering in her stomach. She stared up at the ceiling. “Fine. But you’ll have to leave mine on, too.” “Well, shit.” His laughter warmed her all over. “You drive a hard bargain.” “I’m all about hard things.” She ran her tongue along her teeth. “You do have that effect on me.”

RomanceParanormal Urban Fantasy RomanceTitansFirefighter RomanceGreek Muses
Book:Breath of Passion
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“James was stiff, and his arm was asleep, and he wasn't sure he'd ever get the kink out of his neck, but he had a baby boy sleeping like a rock on his chest and a gorgeous woman sleeping like a rock up against his side, her cheek on his chest, some of her hair clutched in the baby's fist, and a shaggy dog sleeping like a rock on his left foot. James wouldn't have moved for a million dollars.”

FamilyContemporary RomanceNew OrleansFirefighter Romance
Book:Getting Off Easy
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“[Harper'd] wondered briefly if those novels were making her set her standards too high. But then she'd realized that no, actually, what those stories had done was help her not confuse lust and crushes and simple attraction and I-kind-of-like-him with something deeper and more passionate. And they'd helped her decide to wait for the real thing. She knew what love looked like. It just hadn't come along for her. Yet.”

FamilyContemporary RomanceNew OrleansFirefighter Romance
Book:Getting Off Easy
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“Life is messy. It’s scary and it’s hard and it’s painful. And every bit of it is worth the risk because love is so much more than any one of those difficult emotions. It’s more than all of them put together. That kind of love makes every day a little brighter. It makes colors more brilliant and laughter more contagious. It’s wonderful. It’s all-encompassing. And it’s a gift.” She stepped closer, placing her right hand over his heart. “Rhys, that’s the kind of love I want. That’s the kind of love we can have. Together.”

Love StorySmall Town RomanceStrong Female CharactersDeclaration Of LoveFirefighter RomanceGreen HillsFight For LoveWholesome RomanceGrocery GirlQuilt Fiction
Book:Grocery Girl
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