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“On weekdays, everyone would read Armistead Maupan's "Tales of the City," published as a novel in 1978. His leading character Michael "Mouse" Toliver, a clone-ish softie himself, laments the experience of meeting men– nice mustache, Levis, a starched khaki army shirt, strong– and trying to resist visiting the bathrooms, lest he encounter the giveaway, the fantasy-killer: face creams and shampoos for days." Mouse was only being wistful, but the underlying efemmophobia was pernicious on the scene. Masculinity can be something that gay men project onto one another, only to snatch it away at the first sign of inauthenticity. That they hadn't rolled out of bed looking ruggedly handsome, but required a beauty routine to get that way.” — Jeremy Atherton Lin

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On weekdays, everyone would read Armistead Maupan's "Tales of the City," published as a novel in 1978. His leading character Michael "Mouse" Toliver, a clone-ish softie himself, laments the experience of meeting men– nice mustache, Levis, a starched khaki army shirt, strong– and trying to resist visiting the bathrooms, lest he encounter the giveaway, the fantasy-killer: face creams and shampoos for days." Mouse was only being wistful, but the underlying efemmophobia was pernicious on the scene. Masculinity can be something that gay men project onto one another, only to snatch it away at the first sign of inauthenticity. That they hadn't rolled out of bed looking ruggedly handsome, but required a beauty routine to get that way.
— Jeremy Atherton Lin