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Quote by Sarvesh Jain

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Sarvesh Jain

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“You chide yourself for walking too far ahead, for regressing into 80s song lyrics territory so soon. But then he says, "The supermassive black hole at the center of the milky way recently sparked 75 times brighter over the course of a 2 hour period, and twice as bright as it's ever been in the 20 years astronomers have been monitoring it." By now you're used to him talking Science, but you're not sure where he's going with this. "One theory," he continues "is that the event was caused by a star about 15 times bigger than the sun getting close to the edge of the black hole disturbing some gasses, heating things up, increasing the infrared radiation from the edge. But get this, we observed that star getting close to the black hole about a year before we observed the affects on the black hole." "That just shows how vast the universe is, how enormous the distance," you say. "Exactly! Distances, plural. The distance between the star and the edge of the black hole, and the distance between the black hole and Earth. So, I say all of this to say that sometimes wheels are set in motion long before the spark is manifest. Is that the same thing as fate? I don't know but...I do know that rare brilliant events take time.”

“It is not even remotely a matter of rehabilitating the Aboriginals, or finding them a place in the chorus of human rights, for their revenge lies elsewhere. It lies in their power to destabilize Western rule. It lies in their phantom presence, their viral, spectral presence in the synapses of our brains, in the circuitry of our rocketship, as 'Alien'; in the way in which the Whites have caught the virus of origins, of Indianness, of Aboriginality, of Patagonicity. We murdered all this, but now it infects our blood, into which it has been inexorably transfused and infiltrated. The revenge of the colonized is in no sense the reappropriation by Indians or Aboriginals of their lands, privileges or autonomy: that is our victory. Rather, that revenge may be seen in the way in which the Whites have been mysteriously made aware of the disarray of their own culture, the way in which they have been overwhelmed by an ancestral torpor and are now succumbing little by little to the grip of 'dreamtime'. This reversal is a worldwide phenomenon. It is now becoming clear that everything we once thought dead and buried, everything we thought left behind for ever by the ineluctable march of universal progress, is not dead at all, but on the contrary likely to return - not as some archaic or nostalgic vestige (all our indefatigable museumification notwithstanding), but with a vehemence and a virulence that are modern in every sense - and to reach the very heart of our ultrasophisticated but ultra-vulnerable systems, which it will easily convulse from within without mounting a frontal attack. Such is the destiny of radical otherness - a destiny that no homily of reconciliation and no apologia for difference is going to alter.”

“In the beginning was the World, but it was, therefore the past existed before the World. He bowed before the supremacy of the past. The Catholic Church would have much to be said for it, but it allowed too little past. Two thousand years, a part of it only recorded, what does that matter compared to traditions of double or treble that space of years? A Catholic priest is surpassed by any Egyptian mummy. Because the mummy is dead, he may think himself superior. But the pyramids are no more dead than St. Peter's, on the contrary, they are much more alive, for they are older. These Romans think that they have all time in the pockets. They refuse to revere their ancestors. That is a blasphemy. God is the past... A time will come when all men will beat their senses into recollections, and all time into the past. A time will come when a single past will embrace all men when there will be nothing except the past, when everyone will have one faith– the past.”

“In ancient tragedy, the action itself has an epic element; it is just as much event as action. This, of course, is because the ancient world did not have subjectivity reflected in itself. Even if the individual moved freely, he nevertheless rested in substantial determinants, in the state, the family, in fate. This substantial determinant is the essential fateful factor in Greek tragedy and is its essential characteristic. The hero's downfall, therefore, is not a result solely of his action but is also a suffering, whereas in modern tragedy the hero's downfall is not really suffering but is a deed. Thus, in the modern period situation and character are in fact predominant”