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“There is an instrument that can hardly be heard; it is played in Africa for oneself alone, inside the hut, or outside without bothering or attracting anyone. Rudimentary, archaic, apparently put together haphazardly, freely, by the village blacksmith, the sanzas (that is its name): no two the same, no good even for a slightly elaborated melody, it is independent of any scale. Anarchical. A music of murmurs, the opposite of music for competitions, compositions. Instrument to relieve us dreamily from all the noisemakers of this world.” — Henri Michaux

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There is an instrument that can hardly be heard; it is played in Africa for oneself alone, inside the hut, or outside without bothering or attracting anyone. Rudimentary, archaic, apparently put together haphazardly, freely, by the village blacksmith, the sanzas (that is its name): no two the same, no good even for a slightly elaborated melody, it is independent of any scale. Anarchical. A music of murmurs, the opposite of music for competitions, compositions. Instrument to relieve us dreamily from all the noisemakers of this world.
— Henri Michaux