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Quote by Hakuri Murakami

“The trucker was a beefy man in his mid-forties, with arms like logs and a jutting belly, who was hauling fresh fish in a refrigerated truck. "I hope you don't mind the fish smell," the driver said. "Fish are one of Nakata's favorites," Nakata replied. The driver laughed. "You're a strange one, aren't you." "People tell me that sometimes." "I happen to like the strange ones," the driver said. "People who look normal and live a normal life - they're the ones you have to watch out for." "Is that so?" "Believe me, that's how it goes. In my opinion, anyway." "Nakata doesn't have may opinions. Though I do like eel." "Well, that's an opinion. That you like eel." "Eel is an opinion?" "Sure, saying you like eel's an opinion." Thus the two of them drove to Fujigawa.”

Quote by Hakuri Murakami

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Hakuri Murakami

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“Until Edison invented the electric light, most of the world was totally covered in darkness. The physical darkness outside and the inner darkness of the soul were mixed together, with no boundary separating the two. They were directly linked. But today things are different. The darkness in the outside world has vanished, but the darkness in our heart remains, virtually unchanged.” ― Haruki Murakami, Kafka on the Shore”

Kafka On The Shore
Book:Kafka on the Shore
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“In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me—not at me, maybe, but at the spot where I am. Time's rules don't apply here.”

Kafka On The Shore
Author:Haruki Murakami
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“The lyrics, though, are pretty symbolic, " I venture. "From time immemorial, symbolism and poetry have been inseparable. Like a pirate and his rum. " "Do you think Miss Saeki knew what all the lyrics mean?" Oshima looks up, listening to the thunder as if calculating how far away it is. He turns to me and shakes his head. "Not necessarily. Symbolism and meaning are two separate things. I think she found the right words by bypass­ ing procedures like meaning and logic. She captured words in a dream, like delicately catching hold of a butterfly's wings as it flutters around. Artists are those who can evade the verbose." "So you're saying Miss Saeki maybe found those words in some other space-like in dreams?" "Most great poetry is like that. If the words can't create a prophetic tunnel connecting them to the reader, then the whole thing no longer func­ tions as a poem." "But plenty of poems only pretend to do that." "Right. It's a kind of trick, and as long as you know that it isn't hard. As long as you use some symbolic-sounding words, the whole thing looks like a poem of sorts." "In 'Kafka on the Shore' I feel something urgent and serious." "Me too, " Oshima says.”

Kafka On The Shore
Author:Haruki Murakami
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