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Quote by Sanjida Kay

“I don’t believe he was deliberately taking indecent pictures, they’re too artistic; he’s managed to capture that magical moment when a child’s mind spins into a make-believe world. But actually, what Jack did is steal something – a child’s innocence – whilst creating something darker that will resonate with the adults looking at these photos: themes of sexuality and death, the leitmotifs that run through fairy tales, the stories that we tell ourselves about our children.”

Quote by Sanjida Kay

Work

The Stolen Child

In this enthralling tale, a young protagonist encounters a mysterious figure from Irish mythology, leading to a journey filled with magic and danger. more

Author

Sanjida Kay

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“Tesco at the best of times is soulless – but it’s so much worse at 6 in the morning. It’s not as empty as I thought it would be. Who the fuck shops at 6 a.m.? e florescent lights flicker. e shelf upon shelf of coloured cans make my eyes go funny. Everything is hard and shiny and there’s so much fucking choice. Why do I have to choose from thirty kinds of granola? Do I want Country Crunch or Rude Health? Raisins and almonds or tropical? Goji berries and chia seeds or Strawberry Surprise? I’ll just buy the Tesco range – that’ll be easiest. No, wait, there’s Tesco finest*, Tesco Everyday Value and Tesco Free From. What can be so damn fine about granola? You eat it everyday and what could it be free from? It hasn’t got anything unhealthy in it! What could one possibly take out? Actually, we don’t need any fucking granola.”

“It’s quiet in the suburbs. It’s too cold for people to be in their gardens; and it’s not a thoroughfare so few cars drive by. I look past decaying roses and through the first flush of Michelmas daisies, blazing a glorious purple, into the darkened windows of the houses we walk by. Who lives here? Are they watching us? Did one of our neighbours do something seven years ago that he now regrets? How little we know of the people who surround us.”

“My husband hands me my glass, full to the brim with green-gold wine and I stifle my resentment and attempt to smile at him. I mustn’t lose sight of what we have – two beautiful children; an amazing house that I never, in a million years, thought we’d be able to afford; Gill and Andy, my best friends – and this perfect day. I take a deep breath and feel my shoulders relax. I can smell the faintest trace of heather, drifting down from the moor.”

“The moor has always been part of my life. It’s like a muse: the colours of the heather and the sky; how you can see the savagery of the wind in the way the dwarf pine trees are bent double, the bleak lines of the landscape in winter when everything save the moss and the grass are dead, stones like bones, poking through a thin skin of bilberry bushes, rushes reflected in black bog water.”