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Kris Franken

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“In this almost impossible scenery, Galilhai finally went into a deep sleep, one that went beyond dreams and imagination. She had entered the Other World, a spiritual realm that resided below the surface of Pyramid Lake and beyond.”

“they are a little more solid even in the exquisite nakedness of their existence and they glory in their reality and read music and dance poetry on the sidewalks and in the lavatories of bombed out buildings. we take their words and cup them in our hands and we take their lips and crush them to ourselves and dream the dreams and think of sands and faraway places and wish for death and pray they see IT soon.”

“Her dreams took up a sharper precision of outline. She sought deliberately in her past for facts long since forgotten, for lips that from afar she had adored, for bodies vaguely recognized which chance meetings and the random happenings of dream had brought into innocent contact with her own. She composed a symphony of happiness, invented a world of delights, built up from odds and ends a wholly impossible universe of love.”

“Everything was predictable. Cinema had act structures. Music had beats. Poets had tricks. Books had arcs. Food tasted delicious as long as it was on the surface of one’s tongue. Any chance of happiness was but one single carousel round, so naturally, after a while, the passenger felt expired. To Andrei, there ceased to be anything worth chasing and this feeling of “running out” in an abundant globe confused him. He wished there was something in the world that was infinite or lasted forever—or was at least worth remembering forever. This was why the sleeper could not dream—his imagination writhed in his true-to-life gluttony.”